Fantastic Beasts and Where to Find Them: Our Hogwarts Digital Collection

By Anne Garner, Curator, Rare Books and Manuscripts

When Hogwarts librarian Irma Pince first appears in book one of the Harry Potter series, published twenty years ago this week, she is brandishing a feather duster and ordering young Harry out of the library where he’s pursing the noble (and ultimately world-saving) task of looking up the alchemist Nicholas Flamel.

Rare book room

Drs. Barry and Bobbi Coller Rare Book Reading Room.

Pince doesn’t exactly scream poster-child for open access.  And yet, a chance look at our card catalog recently revealed that the Academy Library might have something in common with Hogwarts, aside from its ambiance (The Library’s Drs. Barry and Bobbi Coller Rare Book Reading Room, nestled on a locked mezzanine level of the Academy that visitors sometimes call its “Hogwarts floor,” frequently invites comparisons.)  That something is our collections.

To celebrate the twentieth anniversary of the publication of J.K. Rowling’s Harry Potter and the Philosopher’s Stone, The New York Academy of Medicine Library has launched a special digital collection, “How to Pass Your O.W.L.s at Hogwarts: A Prep Course.” Featuring rare books dating back to the fifteenth century, the collection reveals the history behind many of the creatures, plants and other magical elements that appear in the Harry Potter series.

The digital collection is organized as a fictional study aid for Hogwarts students preparing for their important magical exams, the O.W.L.s. The collection is organized into seven Hogwarts courses, featuring historical content related to each area of magical study. For example, the Transfiguration section focuses on alchemy and the work of Nicholas Flamel—a historical figure who is fictionalized in Rowling’s books.  Both Harry Potter and the Philosopher’s Stone and seventeenth century scientific literature represent Nicholas Flamel as an important alchemist responsible for achieving the philosopher’s stone (the real Flamel was a wealthy manuscript seller, and likely never an alchemist himself).

Nicolas Flamel's Hieroglyphicks_watermark

Salmon, William. Medicina Practica, or the Practical Physician, 1707, featuring Nicholas Flamel’s Hieroglyphics.

The collection’s Care of Magical Creatures section features spectacular centuries-old drawings of dragons, unicorns and basilisks—plenty of prep material here to keep the attention of young wizards during this third year elective course.

The early naturalists Conrad Gessner and Ulisse Aldrovandi both devoted entire volumes of their encyclopedic works to serpents.   Some illustrations depicted snakes as we might see them in the natural world.  Others celebrated more fantastical serpentine creatures, including a seven headed-hydra and a basilisk.  Said to be the ruler of the serpents, the basilisk (from the Greek, basiliskos, for little king) looks a little like a turtle with a crown on his head.

Aldrovandi's Snakes_watermark

Aldrovandi, Ulisse. Serpentum, et draconum historiae libri duo…, 1640, pp. 270-271.

Aldrovandi's Basilisk_watermark

Aldrovandi, Ulisse. Serpentum, et draconum historiae libri duo…, 1640, p. 363.

Off campus proves to be where the wild (er) things are.  In book one of the series, Voldemort gains strength by ingesting the blood of a unicorn.  Rowling’s unicorns have healing properties and can act as antidotes to poison.  The qualities Rowling assigns to these beautiful and rarest of beasts echo their characterization in early modern natural history texts.  Several of these works —illustrated encyclopedias that depict and describe both real and fantastic animals in the sixteenth century—present the unicorn as powerful healers.

We’ve written already about the French apothecary Pierre Pomet’s illustrations of the five types of unicorns, and his assertion in his 1684 history of drugs that unicorn horns sold in most apothecary shops were actually the horns of narwhals.

Pomet's Unicorns_watermark

Pomet, Pierre. Histoire generale de drogues, traitant des plantes, des animaux, & des mineraux…., 1694, p. 9.(Click Here for a coloring sheet of this image!)

Conrad Gessner’s 4500 page encyclopedia of animals, the Historia Animalium, also includes a depiction of a unicorn (below). Gessner writes that unicorn horn and wine together can counteract poisons, and assigns it other efficacious properties.

In Harry Potter and the Philosopher’s Stone, we meet a band of spirited and enigmatic centaurs in the Forbidden Forest.  Centaurs and mer-people fall into a category throughout the series of what Rowling refers to as “half-breeds”:  hybrid creatures who are part man or woman, and part animal. This category of beings is often diminished for being somehow less than fully human.  In the books, half-breeds don’t have the civil rights that other wizarding folk have. Hagrid, Dumbledore, and others are sympathetic to the creatures—In Harry’s fifth year, Dumbledore appoints one as Hogwarts’ Divination Professor.

While the History of Magic taught at Hogwarts is largely fictional, the Academy Library contains books in the real-life history of magic, including the 1658 manual Natural Magick by Giovanni Battista della Porta and a manual for witch-hunters by della Porta’s rival, Jean Bodin—two highlights of the digital collection. Another featured treasure is an actual bezoar (ours comes from the stomach of a cow, ca. 1862), and is used as a key potions ingredient by Hogwarts’ students.

As Hermione Granger says, “When in doubt, go to the library.” We hope you’ll heed her advice and check out our new digital collection, “How to Pass Your O.W.L.s at Hogwarts: A Prep Course.”

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#ColorOurCollections, Day 5

#ColorOurCollections-bannerfinal

It’s the final day of #ColorOurCollections, a week-long special collections coloring fest we’ve organized on social media. We are sad to see it go, and thank everyone who participated. Enjoy the final day of sharing and coloring items from nearly 200 cultural institutions from around the world (see our ever-growing list).

Every day on our blog, we’ve featured #ColorOurCollections coloring sheets from our library, along with content from participants worldwide. And don’t forget to download our full #ColorOurCollections coloring book.

Today’s coloring sheets come from Ulisse Aldrovandi (featured earlier this week) and another great naturalist, Conrad Gesner. Gesner (1516-1565) was from Switzerland and contributed to fields including medicine, linguistics, botany, and zoology. His most famous work is the Historia Animalium, an enormous five-volume encyclopedia on animals. The Academy is lucky to have a beautifully hand-colored copy of the volume on birds, Historiæ animalium liber III, which was the subject of a blog post. Fortunately for #ColorOurCollections, our copies of the 1551 Historiæ animalium Liber I, and the 1563 German translation Thierbuch are uncolored.

Lynx from Aldrovandi's De quadrupedib. digitatis viviparis, 1637. Click to download the PDF coloring sheet.

Lynx from Aldrovandi’s De quadrupedib. digitatis viviparis, 1637. Click to download the PDF coloring sheet.

Elephant from Gesner, Historiae Animalium, Liber I, 1551. Click to download the PDF coloring sheet.

Elephant from Gesner, Historiae Animalium, Liber I, 1551. Click to download the PDF coloring sheet.

This afternoon, we will post a list of all the coloring books, pages, and albums shared by #ColorOurCollections participants—keep your eyes on this space! This morning, we have three we are excited to spotlight.

Indiana University’s Lilly Library posted its coloring book yesterday. The dragon turned weapon may be one of the most astonishing illustrations we’ve seen in some time.

Roberto Valturio. De re militari. Verona, 1472. U101 .V2 vault. Courtesy of The Lilly Library, Indiana University.

Roberto Valturio. De re militari. Verona, 1472. U101 .V2 vault. Courtesy of The Lilly Library, Indiana University.

The Cooper Hewitt also posted a coloring book yesterday. If you are gung-ho about adult coloring books, this one will be right up your alley. It is full of stunning Katagami patterns.

Katagami, Water Pattern, late 19th–early 20th century; Designed by Unknown ; Japan; cut mulberry paper treated with persimmon tannin and silk thread; 41.3 x 28 cm (16 1/4 x 11 in.) Mat: 45.7 x 35.6 cm (18 x 14 in.) Frame 50.2 x 39.7 cm (19 3/4 x 15 5/8 in.) 19 x 34.2 cm (7 1/2 x 13 7/16 in.); 1976-103-111 http://cprhw.tt/o/2CLkk/. Courtesey of Cooper Hewitt.

Katagami, Water Pattern, late 19th–early 20th century; Designed by Unknown ; Japan; cut mulberry paper treated with persimmon tannin and silk thread; 41.3 x 28 cm (16 1/4 x 11 in.) Mat: 45.7 x 35.6 cm (18 x 14 in.) Frame 50.2 x 39.7 cm (19 3/4 x 15 5/8 in.) 19 x 34.2 cm (71/2 x 13 7/16 in.); 1976-103-111 http://cprhw.tt/o/2CLkk/. Courtesey of the Cooper Hewitt.

Finally, we don’t know how we’ve gotten this far into the week without featuring the coloring book from the New York Public Library. Librarians from across the library’s divisions teamed up to select public domain images from the library’s collections. We have yet to see someone color in these hieroglyphs—are you up to the challenge?

[Rappresentazione zodiacale in tre quadri consecutivi]. Image ID: 425361. Courtesy of the New York Public Library

[Rappresentazione zodiacale in tre quadri consecutivi]. Image ID: 425361. Courtesy of the New York Public Library

We thank everyone for coloring with us this week. Keep those markers and colored pencils in a safe place: we plan to bring back #ColorOurCollections the first week of February, 2017.

#ColorOurCollections, Day 3

#ColorOurCollections-bannerfinal

It’s the third day of #ColorOurCollections, a week-long special collections coloring fest we’ve organized on social media. Yesterday, we reached more than 125 participating cultural institutions! (See our growing list.)

Every day on our blog, we will feature #ColorOurCollections coloring sheets from our library, along with content from participants worldwide. You can also download our full #ColorOurCollections coloring book.

Today’s coloring sheets come from the works of the Italian naturalist Ulisse Aldrovandi, who documented living (and mythical) things of all sorts, from gentle, clover-eating rabbits to fearsome dragons. Aldrovandi (15221605) was a professor at the University of Bologna, and in 1568 he founded a botanic garden there. His interest in the natural sciences led him to gather specimens across Italy for study and inclusion in his natural history museum. Pope Gregory XIII, a relative, provided financial support for his works, but just four volumes were published before his death. Both books featured here, Serpentum et draconum historiae libri duo… and De quadrupedib.’ digitatis viviparis…, were published posthumously.

Rabbit in Ulisse Aldrovandi, De quadrupedib. digitatis viviparis, 1637. Click to download the PDF coloring sheet.

Rabbit in Ulisse Aldrovandi, De quadrupedib.’ digitatis viviparis …, 1637. Click to download the PDF coloring sheet.

Dragon from Ulisse Aldrovandi, Serpentum, et draconum historiae libri duo, 1640.

Dragon from Ulisse Aldrovandi, Serpentum, et draconum historiae libri duo, 1640.

Our featured coloring books of the day come from two institutions that, like us, focus on the history of medicine.

The Dittrick Museum’s coloring book may be the first one ever made to feature a picture of lice removal (from Hortus sanitatis, 1491). It also has other images from works of anatomical and natural history.

Lice removal. 1491. Hortus sanitatis. Mainz, Jabob Meydenbach. Courtesy of the Dittrick Museum.

Lice removal. 1491. Hortus sanitatis. Mainz, Jabob Meydenbach. Courtesy of the Dittrick Museum.

We love the coloring book from Oregon Health & Science University (OHSU)’s Historical Collections & Archives. Who can resist the skull on the cover, from Antonio Scarpa’s 1801 Saggio di osservazioni e d’esperienze sulle principali malattie degli occhi?

Scarpa, Antonio. Saggio di osservazioni e d’esperienze sulle principali malattie degli occhi.Pavia: B. Comino, 1801. Courtesy of OHSU Special Collections & Archives.

Scarpa, Antonio. Saggio di osservazioni e d’esperienze sulle principali malattie degli occhi.Pavia: B. Comino, 1801. Courtesy of OHSU Special Collections & Archives.

Yesterday’s shared coloring sheets also featured bookbinding and typography. The American Bookbinders Museum offered five images from its collection, including this pattern from Der Buchbinder:

From Der Buchbinder.

From Der Buchbinder.

UW-Milwaukee Special Collections featured typography on its Tumblr, historiated initials from a 1902 printing of The Psalter or Psalms of David from the Bible of Archbishop Cranmer. You can download these initials, along with another whole coloring book from the university.

Historiated R by C. R. Ashbee for his 1902 Essex House Press printing of The Psalter or Psalms of David from the Bible of Archbishop Cranmer. Courtesy of UW-Milwaukee Special Collections.

Historiated R by C. R. Ashbee for his 1902 Essex House Press printing of The Psalter or Psalms of David from the Bible of Archbishop Cranmer. Courtesy of UW-Milwaukee Special Collections.

We also have to point out our only French participant thus far, Bibliothèque Bourguignonne. Their Pinterest album features some truly adorable chickens, including this one:

Coq Padoue argenté. Basse-cour, faisanderie et volière : l'élevage à la Croix-verte, Autun, par Et. Lagrange,... Nouvelle édition. 1892. Courtesy of Bibliothèque Bourguignonne.

Coq Padoue argenté. Basse-cour, faisanderie et volière : l’élevage à la Croix-verte, Autun, par Et. Lagrange,… Nouvelle édition. 1892. Courtesy of Bibliothèque Bourguignonne.

Keep following #ColorOurCollections on social media (don’t forget Facebook!), and keep an eye on our Pinterest boards, which feature images to be colored and colored-in sheets. On Friday, our final #ColorOurCollections post will include a list of all of the coloring books created and shared by participants.

The Dragons of Aldrovandi

By Johanna Goldberg, Information Services Librarian

It’s St. George’s Day, and what better way to celebrate than with dragons?

Title page of Serpentum, et draconum historiae libri duo, 1640.

Title page of Serpentum, et draconum historiae libri duo, 1640. Click to enlarge.

Perhaps the most famous illustrations of dragons in our collection come from Ulisse Aldrovandi’s posthumous Serpentum, et draconum historiae libri duo (The History of Serpents and Dragons), 1640.

Aldrovandi (1522–1605) was a physician and naturalist from a noble family in Bologna. He received a medical degree from Padua in 1553, and became a full professor at the University of Bologna in 1561.1 Pope Gregory XIII, his cousin, supported his career, appointing him as inspector of drugs and pharmacies and offering monetary aid for his many natural history works, only four of which were published during his lifetime.1,2

Aldrovandi maintained a museum of biological specimens, supervised by Bartolomeo Ambrosini, who shepherded Serpentum et draconum to publication after Aldrovandi’s death.2 The book offers descriptions and engravings of snakes, along with more legendary creatures, some drawn from descriptions given by merchants, others debunking the practice of stitching together animal parts to create “monsters.”3,4 Aldrovandi even claimed to have a dragon in his museum, collected in Bologna in 1572 at the bequest of his cousin, the pope.2

Enjoy the dragons! Click on an image to view the gallery.

References

1. Ulisse Aldrovandi: Italian Naturalist. Encycl Br. Available at: http://www.britannica.com/EBchecked/topic/13659/Ulisse-Aldrovandi. Accessed April 23, 2015.

2. Findlen P. Possessing Nature: Museums, Collecting, and Scientific Culture in Early Modern Italy. Berkeley and Los Angeles: University of California Press; 1996. Available at: https://books.google.com/books?id=MdytpHTVf1gC&pgis=1. Accessed April 23, 2015.

3. An “Ethiopian dragon” | Royal Society Picture Library. Available at: https://pictures.royalsociety.org/image-rs-10449. Accessed April 23, 2015.

4. A “dragon” made from fish parts | Royal Society Picture Library. Available at: https://pictures.royalsociety.org/image-rs-10446. Accessed April 23, 2015.

Coloring Our Collections

Coloring books and oranges, waiting for the start of the Museum Mile Festival.

Coloring books and oranges, waiting for the start of the Museum Mile Festival.

At last night’s Museum Mile Festival, we were thrilled to offer a coloring book featuring images from our collections, along with the oranges seen here and packets of crayons.

NYAM also partnered with community organizations to engage the festival participants in healthy eating and active living activities. Harlem Seeds demonstrated how to cook a healthy and delicious kale salad and baked apple dessert. Harlem Hospital Center’s Walk it Out and Hip Hop Public Health programs got the crowd moving with high-energy kickboxing, line dancing, and break dancing lessons.

While we can’t give you crayons or break dancing lessons through our blog, we can offer you the coloring book in PDF format. You can color images from Leonhart Fuchs’ De historia stirpium commentarii insignes . . . (1542);  Ulisse Aldrovandi’s Serpentum, et draconum historiae libri duo (1640); and two works by Konrad Gesner, Conradi Gesneri medici Tigurini Historiæ animalium Lib. I. de quadrupedibus uiuiparis . . . (1551) and Thierbuch das is ein kurtze b[e]schreybung aller vierfüssigen thiern so/ auff der erdē und in wasseren wonend/ sampt irer waren conterfactur . . . (1563).

We’d love to see your colored pages—please share them with us!