Speaking For Themselves: Mental Health Memoirs

By Anthony Murisco, Public Engagement Librarian 

Since 1949, May has been recognized in the United States as Mental Health Awareness Month. The National Association for Mental Health, now Mental Health America, set up the month of educational events to clear up misconceptions about mental health and provide resources to those who need them.  

The knowledge of public health is always changing. What may have been taken as fact years ago is not necessarily the truth now. This is true for understanding mental health, or formerly, mental hygiene.  


 
From November 8th to 15th in 1912, the National Committee for Mental Hygiene and the Committee on Mental Hygiene of the New York State Charities Aid Association hosted a conference at the College of the City of New York. These two organizations brought together some of the leading minds on the subject. This was a relatively new idea. Modern understanding of psychiatry had begun less than a hundred years earlier.  

The goal of this conference was what the public could do regarding their own mental health. They came up with six tenets. 

While worded harshly in today’s terms, these suggestions try to offer a compassionate understanding of mental illness. The fourth, “Speak and think of insanity as a disease and not as a crime,” stands out as something we continue to struggle with today.  
 

One of the forefathers of the mental health awareness movement would not be considered a traditional mental health expert. Clifford Whittingham Beers was born in 1896. Mental illness ran in his family. He himself served several stints in mental institutions. Upon the cruel treatment inflicted upon him at these hospitals, he went on to write a memoir on the subject. In A Mind That Found Itself, he writes of the degradation that he and his fellow patients were subject to. This memoir was key to providing a voice for those who were afraid to speak of their own illness. In 1909 Beers founded the organization now called Mental Health America.  
 

From the first edition of A Mind That Found Itself.

Since the publication of Beers’ book, several writers have explored their own experience. These mental health memoirs offer both guidance and companionship to those who also suffer. They provide maps for those who care about those who may be suffering and allows a peek inside minds that many cannot comprehend.  

Some of these authors bring humor to their reflections.  Two funny people wrote about their own struggles. Kevin Breel is a Canadian comedian. He also suffers from depression. His memoir, Boy Meets Depression, allows readers into the mind of someone who experienced the mental illness early on in life. Sara Benincasa is known for being a comical blogger. Her own memoir Agorafabulous! reveals her fight with depression as well as agoraphobia, the fear of leaving one’s house.  

Graphic memoirs allow us to see with the author’s vision. In dealing with mental health, we get to experience dark visions or the physical manifestation of anguish.  


 
The Hospital Suite by John Porcellino starts off with a hospitalization. After his illness, Porcellino’s health didn’t get better. His brief stint had taken a toll on his mental health. He writes about the experience of his recovery from an obsessive-compulsive episode. Porcellino is candid about his struggles and his fears of his bouts recurring. 


 
Ellen Forney was diagnosed with bipolar disorder before her thirteenth birthday. Afraid of stunting her creativity, she seeks treatment that will help her fulfill her potential. She begins to look at other artists who have suffered from mental illness. Finding all minds are different, she wonders what’s going to be best for her. Forney takes us on her personal highs and lows in Marbles. 


 
Towards the end of his work on the epidemic of mental fatigue and pressure, People Under Pressure, Albert M. Barrett, MD, offered a sympathetic take on mental health challenges. For fifteen years prior to his 1960 publication, he worked alongside counselors and therapists. Barrett urges us to consider a different point of view. He writes, “For no man is an island, and the relief we provide other human beings will reflect itself in our own peace of mind.” Compassion is vital towards greater public health. 
 
 
References: 

Barrett, Albert M. People under Pressure. College and University Press, 1960.  

Benincasa, Sara. Agorafabulous!: Dispatches from My Bedroom. William Morrow Paperbacks, 2013.  

Breel, Kevin. Boy Meets Depression: Or Life Sucks and Then You Die Live. Harmony Books, 2015.  

Clifford, Beers W. A Mind That Found Itself; an Autobiography. Longmans, Green, and Co., 1908.  

Forney, Ellen. Marbles: Mania, Depression, Michelangelo, & Me: A Graphic Memoir. Gotham Books, 2012.  

National Committee for Mental Hygiene, and State Charities Aid Association (N.Y.). Committee on Mental Hygiene. Proceedings of the Mental Hygiene Conference and Exhibit at the College of the City of New York…. Committee on Mental Hygiene of the State Charities Aid Association, 1912.  

Porcellino, John. The Hospital Suite. Drawn & Quarterly, 2014.  

Cooking Our Collection: Pi Day 2023

By Anthony Murisco, Public Engagement Librarian

My name is Anthony Murisco. I am the Public Engagement Librarian here at NYAM. A few weeks back, we celebrated Pi Day by baking a couple of pies. I wanted to share my own experience.

For those who may not know or need a refresher, Pi is a mathematical constant. The symbol π, the Greek letter for P, represents the ratio of the circumference of a circle to its diameter. The ratio will always be π. When written out, π is approximately 3.14. π is an irrational number, whose decimal form continues forever, which is why a shorter form is used. Hence March 14, 3/14, is known as Pi Day.

Pi Day is a celebration of all things mathematical as well as that certain baked good. Pi and pie not only share a name but are both circular. While the holiday may have earlier origins, the first recorded celebration was heralded by physicist Larry Shaw in 1988. When discussing the “mysteries of pi” with a colleague, he realized the irrational number has some rationality to it! In an effort to make learning math fun, he conducted the first Pi Day celebration with his class. The event, now celebrated by math enthusiasts all over, includes reciting the value of π to as many decimal places as one can, a real memorization challenge, and of course, pie tasting.

An illustrated image of chef's working in a kitchen in a hotel.
From The encyclopædia of practical cookery (1898) by Theodore Francis Garrett

What better way to celebrate than by baking a pie? This year, this was my task. The New York Academy of Medicine Library has a plethora of recipe books, some more than 200 years old. A selection of these books has been shared before, on social media, in this very blog, and even on our digital exhibition. Here was one of the first attempts of our staff making a dish!

After searching through several books and finding only savory recipes, our Historical Collections Reference Librarian, Arlene Shaner, discovered what I was looking for. In the 1824 edition of The Virginia house-wife lay a recipe for simply “Apple Pie.”

An advertisement payed for by The Apple Growers of America. A blonde woman is holding up an apple. The caption reads "For weight control... a tasty appetite-appeaser."

Mary Randolph first published The Virginia Housewife in 1824. Its popularity led to several editions and reprints. The Virginia housewife, or Methodical Cook was the first of its kind, a published manual of recipes and housekeeping tips that would later surge and create an industry. This was the perfect book to make a pie from.

Title page of the 1824 edition of The Virginia house-wife by Randolph.
Title page of the 1824 edition of The Virginia house-wife by Randolph.

The book featured three different recipes. Only one specified that it was a pie. Arlene predicted that the second recipe was for pie filling. She is an experienced baker. She went with that one. I had never baked a pie before. I didn’t want to do anything wrong. I stuck with Randolph’s “Apple Pie.”

I looked at the recipe to make a list of ingredients. Apples. Cloves. It called for “powdered sugar.” And rose water. I stopped by my local pop-up market and got four large red delicious apples. Each looked almost double the size of a single apple. Surely this would be enough! Powdered sugar and whole cloves were easy to get. It wasn’t on my list but, I opted for a pre-made crust. While I know that pre-made is not ideal, I had never made a crust before. I would have needed even further directions! If store-bought is fine for Ina Garten, it would be good enough for me. The rose water ended up being the most elusive ingredient in my neighborhood. After several failed shopping trips, I contemplated looking up replacements. I ended up finding rose water downtown at a hip chain grocery store.

Having never baked like this before, I tried to stick exactly to the recipe. The years of doing mail-in meal services will do that to you! Without the exact measurements, I was left a little confused—how would I know how much to use?

Three recipes from page 152. Apple Pie. Baked Apple Pudding. A Nice Boiled Pudding cuts off at the end.
Two of the pie recipes. Notice how the second is not specifically stated as a pie!

The Virginia House-wife and other older cookbooks are not specific with their instructions. There’s a notion that you have some culinary instinct if you are reading it. The recipes are a supplement to your knowledge. Randolph did not foresee someone like me, a beginner, taking on the challenge.

During the filling of the crust, I noticed, two apples in, that I should have gotten more apples. I’ve seen pies filled before with an arrangement of the fruit, a kind of beautiful Busby Berkeley dance. This was not my case. Still, I used what I had! While the apples didn’t fill the pie completely, it wasn’t as empty as I had feared.

The pie completed before it was baked. On top is the pi symbol carved in.
Ready to be baked!

When I discussed my experience with Arlene, she told me that the powdered sugar I used was the wrong ingredient. Powdered sugar today is not the same as it was then. In the past, you would get a loaf of sugar, scrape off what you needed, and “powder” the cake that way. It was more akin to granulated sugar today. Modern-day powdered sugar, or confectioners’ sugar, quickly dissolves and tends to absorb the moisture. Though the pie tasted good, I had given it a different spin. I think that may have been Randolph’s goal. She doesn’t want to tell you exactly how to bake or cook, she just gives you some general directions.

The finished product.

While it may not have looked the best, that didn’t matter. The pie I made was tasty. The powdered sugar dried up some of the apples. I also put too many cloves. This led to quite a spicy taste.

Since 2020, Dr. Rachel Snell, a historian, has been working her way through The Virginia house-wife. Using two editions, 1824 and 1838, she created “The Virginia Housewife Project” to explore the recipes while investigating ideas of domesticity and the history of each recipe. I wish I had seen her blog prior to making the pie, so I could have prepared a little more!

I hope to be able to share more of these recipes in the future. In the meantime, please check out our digital collection of cookbooks. Maybe something will inspire a course for your dinner tonight!

A piece of Arlene's baked apple pudding pie.
A piece of Arlene’s finished baked apple pie.


References:

Berton, Juston. “Any way you slice it, pi’s transcendental,” San Francisco Chronicle (11 March 2009) https://www.sfgate.com/science/article/Any-way-you-slice-it-pi-s-transcendental-3169091.php, accessed 27 March 2023.

Randolph, Mary. The Virginia house-wife. Washington : Davis and Force, 1824.

Snell, Rachel A. “The Virginia House-wife Project” https://virginiahousewifeproject.com/, accessed 27 March 2023.

Sayings As Mad As A March Hare

by the NYAM Library Team

Before the written word, we relied on our stories being passed down orally. These tales were meant to explain and justify the mysteries of the world around us. Fables, folksongs, and myths are examples of these. Our common superstitions act as bite-sized versions of this folklore.

While every month has its sayings , March is known specifically for two. “Beware the ides of March,” comes from a line in Shakespeare’s Julius Caesar. Rome’s dictator hears these words from a mysterious oracle on the day that he was assassinated. Through the years the saying has trickled down into our collective lexicon. It warns of caution towards the middle of March; the Ides fall on the 15th.

A bust of Julius Caesar from In Spite of Epilepsy.. (1913) by Matthew Woods.
A bust of Julius Caesar from In Spite of Epilepsy.. (1913) by Matthew Woods.

The other common saying is “March comes in like a lion and out like a lamb.” It’s included in various compendiums of popular superstitions without any specific origin. It makes sense, though, that after the destruction of crops by killing frost, the fresh fertility of the land brings to mind an innocent animal. Lambs have long had religious symbolism for innocence and these animals were also a sign of luck. The first lamb of Spring meant good fortune, specifically if it faced you. If it was caught looking away, that was thought less lucky . After this yearly demise of crops, “luck” was needed. Previously March had been known as “boisterous” month in the Middle Ages, as well as the “windy” month in the revolutionary calendar of the first French republic.

A lion from volume two of George Shaw's General Zoology (c. 1800-1826).
From volume two of George Shaw’s General Zoology (c. 1800-1826)

Academic, teacher, and author Dr. Frank Clyde Brown started to accumulate folklore related to his state of North Carolina. On the advice of the American Folklore Society, he created the North Carolina Folklore Society in the early 1910s. He collected state-specific stories, songs, and tales from about 1910 to 1940. When he died in 1943, the collection became known as the Frank C. Brown Collection of North Carolina Folklore.

Brown’s collection was published almost twenty years after his death as Popular Beliefs and Superstitions from North Carolina. Upon its publication, the work is believed to have been the “first general work along comparative lines” of specifically American proverbs.
Included in this collection is a longer saying, “If March comes in like a lion, it will go out like a lamb. If March comes in like a lamb, it will go out like a lion.” For the most part, we don’t hear the second sentence anymore. Our predecessors believed in explanations for all of life’s occurrences and often arrived at the answer of balance: if a month began with a storm, surely it would end brightly and sunny! Perhaps for snappier flow, lines needed excision.

A lamb and two ewes from Sheep, Swine, and Poultry by Robert Jennings (1864).
From Sheep, Swine, and Poultry… by Robert Jennings (1864).

That’s not to say that these sayings are not around anymore! Nor does it negate their kernels of truth, some based on observed early science. We still circulate many of these whether it be in the water cooler at work or shared on social media. It is important to place these within context. We now know that they are not to be taken as facts but rather as what was once believed to be facts.

The cover of Popular Superstitions by Charles Platt (1925). It features a black cat in the middle of a horseshoe, in the middle of the number 13.
The cover of Popular Superstitions by Charles Platt (1925).

As the dreaded ides of March draw near, we offer up a few more of these sayings from the Brown Collection to celebrate the month:

-A thunderstorm in March indicates an early spring.
-A windy March and a rainy April make a beautiful May (Also, March winds and April showers bring forth May flowers).
-The first thunderstorm in March wakes up the alligators.
-Fog in March; Frost in May.
-The better the hunter you are, and the more you know about wild things, the surer you are that all rabbits turn to “he-ones” in March.
-If you plant seeds on St. Patrick’s Day, they will grow better.
-A dry March never begs bread.
-Frost never kills fruit in March, no matter how full the tree blooms.

And for those hoping for a fruitful March, I leave you with
-To make cabbage seed grow, sow them in your night clothes on March seventeenth.

Purple skunk cabbage from The Vegetable Materia Medica by William P.C. Barton (c.1817-1819).

References

Brewer, Ebenezer Cobham. Brewer’s Dictionary of Phrase and Fable. Rev. by Ivor H. Evans. New York: Harper & Row, c1970.

Hand, Wayland D. (ed.). The Frank C. Brown Collection of North Carolina Folklore Volume VI: Popular Beliefs and Superstitions from North Carolina. Durham: Duke University Press, 1964.

Hand, Wayland D. (ed.). The Frank C. Brown Collection of North Carolina Folklore Volume VII: Popular Beliefs and Superstitions from North Carolina. Durham: Duke University Press, 1964.

Hole, Christina (ed.). Encyclopaedia of Superstitions. London : Hutchinson, 1961.

Platt, Charles. Popular Superstitions. London : H. Jenkins, Ltd., 1925.

The Academy Library at 175

By the NYAM Library Team

Over the last 175 years, the Academy Library has built one of the premier medical collections in the United States, expanded its reach beyond the Academy to the world, and reinvented its mission.

Dr. Isaac Wood inscribed his donation of Dr. Martyn Paine’s Medical and Physiological Commentaries (1840),
the Library’s first acquisition.

Set up at the Academy’s founding in 1847 to support the Fellows’ continuing education, the Library sought to build a collection of the latest medical books and journals. The first item in its collection was Dr. Martyn Paine’s Medical and Physiological Commentaries (1840), followed by many more, growing to over 200,000 volumes today. The centerpiece of the medical library, though, was the medical journal, the avenue to the most up-to-date medical thinking. The Library’s journal collections comprise some 22,000 different journals, published on every continent except Antarctica, in dozens of languages. Collecting was extensive: the journals take up six floors of stacks; both books and journals number over 550,000 volumes. In addition, the Library has collected hundreds of thousands of pamphlets—a favorite 19th– and early 20th-century format—as well as 275,000 medically related illustrations. By the 1950s, the Academy Library was one of the largest medical libraries in the country.[1]

In 1878, the Academy opened the Library to the public, and began to serve not just the Fellows, but also the larger medical community, inquisitive citizens, and historical researchers. By the turn of the 20th century, we were seen as complementing the New York Public Library; our scope reached beyond the city to the tri-state region. By the middle of the 20th century, our range expanded to the nation and beyond, as the Library became part of broader networks of libraries—medical and otherwise—that made our resources available to everyone. U.S. medical libraries coordinated their efforts under the leadership of the National Library of Medicine (which Academy Library director Janet Doe helped organize in its present form). The NYAM Library began to participate in the nationwide medical interlibrary system through NLM’s DOCLINE and, as one of NLM’s Regional Medical Libraries, organized training and outreach efforts for the medical libraries of the northeast. The digital revolution made this expansion possible—the same revolution that now brings medical information to people’s home computers.

In the 1990s, like many other leading medical libraries, we took on innovative projects to use the internet to collect new forms of medical information and to reach audiences in new ways. The Library was one of the founders of NOAH (New York Online Access to Health Information), started in 1994 as an early effort to present accurate medical information online. In 1999 it started the Grey Literature Report, an online database gathering and indexing the rarely-collected studies and articles published by foundations and other nonprofits. Through these and many other projects, the Library moved with the times. Even so, as medical books and especially journals moved into the digital realm, and as access to this literature increasingly came through medical schools and hospitals, the NYAM Library found its primary mission supplanted. People got their medical information elsewhere.

In 1909, Sir William Osler (1849–1919), the most famous physician of his day, donated the world’s most famous medical book, Andreas Vesalius’s De humani corporis fabrica (1543).

Alongside the Library’s mission to provide up-to-date medical information was its promotion of history. From the late 19th century, the Library began to collect the classics of medicine, supporting the public persona, in the words of John Harley Warner, “of the clinician who embodied not only the precision of [the] scientist but also the sensibility of the gentleman,” seeing history “as a wellspring of connectedness.”[2] The Library’s rare book collection grew from donations and exchanges, including among esteemed physician-collectors, such as Sir William Osler and Academy Librarian Dr. Archibald Malloch. A series of remarkable gifts and purchases in the mid-20th century greatly expanded the Academy’s unique and rare holdings: the Edward Clark Streeter Collection of rare medical books, with many from the 15th century; the Margaret Barclay Wilson collection of food and cookery, which brought the 9th-century manuscript cookbook the Apicius to the Library; the Robert Levy collection on 17th-century physician William Harvey, discoverer of the circulation of the blood; the Fenwick Beekman collection on 18th-century Scottish surgeon John Hunter; and perhaps the most valuable of the Library’s holdings, the Edwin Smith Papyrus, an ancient Egyptian work on wounds from about 1600 BCE, the oldest known surgical text in the world. Manuscript and archival collections, such as the Michael M. Davis papers on medical economics, supported historical research as well.

The Rare Book and History Room shortly after it opened in 1933. Since 2012, the room is known as the Drs. Barry and Bobbi Coller Rare Book Reading Room.

The Academy’s new 1926 building provided dedicated spaces for rare books, and medical history and bibliography; the Academy’s 1933 addition created the Rare Book and History Room for study and seminars, designed after an Elizabethan library. From 1930 on, the Library published its History of Medicine book series, which concluded in 1989 after 53 volumes. Public lectures, some radio-broadcast, explored historical topics. Starting in 1996, the Library hosted a residential fellowship in the history of medicine and public health, and three years later added a second. As that field developed, historians expanded their focus from classic texts to the full panoply of medicine and public health.

In 2022, the Library mounted a new event series, Then & Now, using the insights of history to shed light on current issues in public health.

As our in-person medical users began to drop away, the Library refocused its efforts to history, building on its premier collections and its century-long work in the history of medicine and public health. The Library’s general collections, the product of over 150 years of active collecting, were now valued for their historical potential. In the first decades of the 21st century, the Library stopped collecting current medical literature and made history its primary mission. Its Center for the History of Medicine and Public Health opened in 2012, mounting public programs that use history to engage the public around issues of health and medicine.

As the Library looks to the future, we embrace our mission of serving the Academy, the city, the nation, and beyond, preserving the heritage of medicine, and promoting historical understanding. We invite you to join us!

The Academy Library has reworked and expanded its timeline of milestones. Please check it out to learn more of our 175-year history.


References

[1] The Library of the Surgeon General’s Office of the U.S. Army was the largest, which in 1956 became the U.S. National Library of Medicine.

[2] John Harley Warner, “The Fielding Garrison Lecture: The Aesthetic Grounding of Modern Medicine,” Bulletin of the History of Medicine 88 (2014): 1–47. The first quotation is from pp. 23–24, the second from p. 22, paraphrasing Sir William Osler.

Facendo Il Libro: The Making of the Book (and a digital collection and exhibit)

By Anne Garner, Curator, Rare Books and Manuscripts, and Robin Naughton, Head of Digital

The Academy Library is thrilled to announce “Facendo Il Libro: The Making of Fasciculus Medicinae, an Early Printed Anatomy.”  This online exhibit, focused on an astonishing and influential medical book first published in Italy in 1491, was made possible through the generous support of the Gladys Krieble Delmas Foundation.

Originally collected in manuscript form, the Fasciculus Medicinae (the “little bundle of medicine”) is a richly illustrated collection of medical treatises on uroscopy, phlebotomy, anatomy, surgery, and gynecology.  The Fasciculus Medicinae was first published in 1491, but demand for it made it a favorite text for printers. By 1522, it had been issued more than twenty times.  Variations in the text and the illustrations through time show the early modern tension between medieval medical ideas and advances in medical understanding forged at the beginning of the 16th century.  The exhibit allows visitors to browse full-text scans of all five editions (1495–1522) in The New York Academy of Medicine’s collections; to investigate each edition’s exquisitely illustrated woodcuts and to explore their cultural and medical meanings; and to compare the books’ illustrations in different editions over time.  The site includes contributed essays from Dr. Taylor McCall, art historian of material culture and medieval medicine at the Walters Art Gallery, Baltimore, and from Dr. Natalie Lussey Seale of the University of Edinburgh, whose work focuses on early modern Venetian print culture.  Dr. McCall’s essay looks at the creation of the text and its accompanying illustrations, while Dr. Seale’s essay offers a window into Venetian printing processes in the 16th century and describes the making of a book in early modern Italy.

frontispiece_1495_watermarked

Frontispiece, 1495.

The illustrations of the Fasciculus Medicinae offer an intriguing glimpse of medical practice in the 16th century.  The book’s woodcuts include narrative scenes depicting the earliest Western depiction of dissection in print, an early illustration of a diagnostic consultation showing a professor analyzing a urine flask, and a physician, holding an aromatic sponge to his nose to avoid infection, attending a sick plague patient confined to his bed.  Other woodcuts help us to understand early modern conceptions of health and illness.  The Fasciculus Medicinae’s female anatomical figure captures late medieval ideas about women’s bodies, reproduction, and pregnancy.  A “Wound Figure” graphically depicts the various threats to the body, from blows to the head down to the prick of a thorn on the feet.  Perhaps most surprising of all, the Fasciculus Medicinae’s “Zodiac Figure,” who balances all twelve zodiac signs on his body, conveys the powerful role the stars and planets played in health in the medieval imagination.  This figure, who dates to earlier manuscripts from the medieval period, survives well into the twentieth century, appearing alongside horoscopes in a modified form in print in American almanacs produced by pharmaceutical companies.

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Delmas Homepage imageThe Facendo Il Libro website has a simple design, but a complex structure.  It is both a standalone digital collection and an online exhibit built using Islandora, an open-source digital repository framework.  Representing the first full-text internal digitization project for the Academy Library, the five editions of the Fasciculus Medicinae were digitized in the Library’s Digital Lab. The online exhibit was built using an Islandora multi-site to leverage the digital collection repository (Fedora), Drupal Book module, and the current Library branding theme.

The ability to draw from the common repository made it possible to store content once and use it in multiple ways.  Thus, the five digitized editions are available in two different places using a single source.  The built-in navigational structure for the exhibit makes it easy for users to explore the collection in a linear fashion or by sections.

First images of the 1500 edition

Replicating the physical experience of touching the text is still a challenge for digital projects.  Thus, it was important to create a digital experience that provides the user with some sense of the materiality of the object. For example, the 1500 edition was bound with another text (Savonarola’s Practica medicinae), which is evident from the first digital image of the book. The image shows the thickness of the text and the fact that the 1500 edition begins in middle of the physical object. It shows the user exactly what will be encountered when using the physical item.  It also highlights a significant piece of information that could have been lost due to cropping.

Another important aspect of the online exhibit is the illustrations page, where users can see all the illustrations from all editions in one place.  When a user clicks on an illustration, the user is immediately taken to a page with descriptions of each illustration as it appears in each edition.  To explore the images, users can click on an image and zoom in to see the intricate details.

Facendo Il Libro: The Making of Fasciculus Medicinae, an Early Printed Anatomy” offers a great opportunity for users to learn and explore the Library’s five editions of Fasciculus Medicinae in context.

Explore Facendo Il Libro Online Exhibit.

Delmas Post Shop Ad

Maker’s Mark: A Look at Early Modern Printers’ Devices

By Emily Miranker, Events & Project Manager

Did you know that required trademarks go back to 1266? In England, bakers were required by parliament to use a distinctive mark on the bread they sold.[i] Fun design/history/bibliographic fact, the Drs. Barry and Bobbi Coller Rare Book Reading Room here at the Library features trademarks in its décor. More specifically, the room’s chandelier have printers’ marks. As an homage to book history and the art of the book, the chandeliers of our reading room are decorated with printers’ marks.

RBR chandelier

I got to know these marks beyond “those pretty design bits on the lights” when we created special bookplates (another age old way to ‘mark’ your stuff) for Adopt-a-Book donors. The virtual bookplates that donors receive features four of these marks keeping them connected with the legacy and art of the book.

TIna's first demo of bookplate sketches

Our incredibly talented graphic designer sharing sample sketches for the adoption bookplates; artistic inspiration courtesy of early modern printers, the architecture of the rare book room and the Academy building.

As the name suggests, printers’ marks are a device or emblem, like a logo, that early printers used to make clear the source of the item. According to Printer’s Marks, the first of these is Johann Fust and Peter Schöffer’s Mainz Psalter of 1457. Among the best well-known of these old printers’ marks is one that you will find on our library’s custom designed chandeliers and on our adoption bookplates (upper righthand corner) the device of Aldus Manutius: the dolphin and anchor.

 

Hippocrates_Omnia Opera_1526-printers mark_watermark

The dolphin twined around an anchor predates Manutius. Going back to Roman times, this pair symbolizes the adage, “Make haste slowly.” (The dolphin is haste, and the anchor is slow.)

Next to Aldus in the upper left corner of the bookplate, the ethereal hand manipulating the compass with the Latin motto Labore et Constantia (Work and Constancy) belongs to Dutch publisher Christophe Plantin (1520-1589). During his life, he used a large number of devices and they could vary in appearance. There are three primary types; the first features a tree and the second a scroll with a Latin motto twined around a grape vine; the third is the hand and compass and first appeared in 1557.[ii] The compass is symbolic of the motto: the leg of the compass turning around is work while the stationary point is constancy.

Below Plantin’s mark on the lower left, is the printer’s mark of Paris printer and bookseller Poncet Le Preux (1508 – 1551). His initials P L P are ‘tethered’ together by a tasseled cord.

Lastly, the monogram in the lower right corner of the bookplate that also adorns our chandeliers belongs to Badius Ascensius or Jodocus Badius (1462 – 1535). Originally from Flemish town of Asche, he set up a print shop in Paris, Prelum Ascensianum, in 1503. The initials in the monogram are I V A B, the A and V intersecting to form the diamond shape at the center, which stand for his Latinate name Iodocus Van Asche Badius.

Your Name Here bookplateWe invite you to come look at these gorgeous marks on the chandeliers and in the books themselves at our First Monday tours. The first Monday of every month at 12 pm we do a free tour of the Rare Book Room. Or adopt a book in our collection and receive a copy of these marks in the custom designed donor bookplate.

Bonus mark! This is the mark used by Badius’ printing house, Prelum Ascensianum (his monogram featuring at the bottom center, the shop’s name visible on the center crossbeam of the press itself) and my personal favorite because it is a printer in action.Beroaldi_Opvscvlvm _1511-tp-ornament_watermark

References:
[i] https://en.wikipedia.org/wiki/Trademark#History Accessed 4/18/18
[ii] Roberts, William. Printer’s Marks: A Chapter in the History of Typography (New York: George Bell & Sons, 1893).
printermark shop ad

Secrets in the Scan

By Emily Miranker, Events & Projects Manager

One of the initiatives I oversee here is our wonderful online Library Shop. It features public domain images from our collection on various products. It’s a way for you to take a piece of the library home. Are these two hundred, four hundred, six hundred-year-old images edited? No.

Mostly no.

We keep our images unedited to preserve their historic integrity. The little warps in the vellum, the darkening on the edges of pages from centuries of fingers turning them, little spots of ink or stains from years of use are all part of the life story of each book.

That said, here’s the “mostly” part.

Many of the images used on the shop come from very old books. Books of any age usually don’t lie flat, and certainly not really old ones with big, beautiful bindings. To scan images, our books lie in a cradle; each side propped up by a wedge. This means an image in the initial scan is often at a slight angle. You don’t see it square on.

 

Cockeyed images aren’t the most visually pleasing, moreover the images sit true on the book pages themselves. Therefor some of our images are rotated after scanning to correct for the angle introduced by that cradle in the scan bed, as in the example below.

Truing Images

Aldrovandi_monstrorumhistoria_1642_p324 watermarkedA real treat came for me when I got to work with this glorious image from the Italian naturalist Ulisse Aldrovandi (1522-1605). This is a phoenix from Monstrorum Historia, a volume in a set of encyclopedic works on animals. In Monstrorum, Aldrovandi documented and illustrated anomalous creatures both observed and imagined. The phoenix is a mythological bird that cyclically regenerates or is reborn from the flames and ashes of its previous self.

For the special occasion of the Academy’s 2017 Gala, I was going to edit the background from this image to show just the bird itself. Far more elaborate image editing than I typically get to do. (Part of this was actually done with an editing tool called the “Magic Wand” which struck me as very fitting.) I edited out most of the background and zoomed in to tidy up the image. I started to notice these strips of “fuzz” all over.

re editing

Zooming in even closer –around 200% magnification– I realized, “These aren’t fuzzy strips; I’m seeing the impression of the text from the page behind this!” The text from page underneath the phoenix page wasn’t removed with the layer of background (that tan parchment color), so it was now more starkly visible. The quality of the 17th century printing was so high and the scan was so powerful that not only had the page with the phoenix itself been captured, but the words from the page beneath as well. Not an official palimpsest (a piece of writing material with traces of previous or even removed writing still visible); but a delightful discovery in my scanned image.

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Historical Advice on Breastfeeding in Honor of World Breastfeeding Week

By Becky Filner, Head of Cataloging

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“Mother nursing twins simultaneously.”  From Reginald Charles Jewesbury’s Mothercraft, antenatal and postnatal.

World Breastfeeding Week – August 1-7, 2016 – seeks to promote, protect, and support breastfeeding. How was breastfeeding regarded in the past? To answer this question, I consulted books on child rearing from the early 19th century to the mid-20th century.

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Title page, William Buchan’s 1804 Advice to Mothers.

The earliest book I looked at, Dr. William Buchan’s 1804 Advice to Mothers, on the Subject of Their Own Health; and on the Means of Promoting the Health, Strength, and Beauty, of Their Offspring, is extremely critical of women who do not breastfeed:

Unless the milk….finds the proper vent, it will not only distend and inflame the breasts, but excite a great degree of fever in the whole system… It may be said, that there are instances without number, of mothers who enjoy perfect health, though they never suckled their children. I positively deny the assertion; and maintain, on the contrary, that a mother, who is not prevented by any particular weakness or disease from discharging that duty, cannot neglect it without material injury to her constitution.1

At the end of the 19th century, Dr. Genevieve Tucker’s Mother, Baby, and Nursery: A Manual for Mothers (1896) also strongly advocates breastfeeding:

Every mother who has health sufficient to mature a living child ought, if possible, to nurse it from her own breast. Her own health requires it, as the efforts of the child to draw the milk causes the uterus to contract, and nothing else will take its place to her infant.2

Much of her other advice seems outdated now, including her claim that “nursing babies suffer from too frequent nursing” and her suggestion to nurse “as seldom as possible at night.” Perhaps strangest to modern ears is her analysis of a woman’s ability to nurse based on her physical and emotional state:

Different temperaments and constitutions in women have great influence in the quantity and quality of milk. The richest milk is secreted by brunettes with well developed muscles, fresh complexions, and moderate plumpness. Nervous, lymphatic, and fair-complexioned women, with light or auburn hair, flabby muscles, and sluggish movements, as a rule, secrete poor milk. Rheumatic women secrete acid milk, which causes colic, diarrhea, and marasmus in the child.3

Tucker also suggests that a nursing mother should be producing a whopping forty-four ounces of breast milk every twenty-four hours.

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Breastfeeding baby, from Stella B. Applebaum’s Baby, A Mother’s Manual, published ca. 1946.

Dr. Charles Gilmore Kerley in his Short Talks with Young Mothers: On the Management of Infants and Young Children  wrote in the early 19th century that contemporary pressures on women hinder their breastfeeding abilities:

A mother, to nurse her child successfully, must be a happy, contented woman… The American women of our large cities assume the cares and responsibilities of life equally with men. Among the so-called higher classes, — those who have all that wealth and position can give, — there is a constant struggle for social pre-eminence. Among the majority of the so-called middle classes the contest for wealth and place never ceases from the moment the school days begin until death or infirmity closes the scene. Among the poor there are the ceaseless toil, the struggle for food and shelter, the care of the sick, and the frequent deaths of little ones in the family whom they are unable properly to care for. In all classes, therefore, the conditions of life are such as seriously to interfere with the normal function of nursing, no matter how excellent may be the mother’s physical condition.4

This emphasis on a woman’s mind being at rest is repeated in much of the early 20th- century literature on breastfeeding.

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“Hungry!” from Myrtle M. Eldred and Helen Cowles Le Cron’s For the Young Mother, 1921. p. 31.

Most of the books from the first few decades of the 20th century contain a passage about keeping the breasts and nipples clean. Kerley and others recommend washing the nipples (and even the child’s mouth!) with a solution of boracic (boric) acid. Myrtle M. Eldred and Helen Cowles Le Cron write in For the Young Mother (1921) that “the breasts are tender and easily infected at first, so that the boric acid acts as a cleanser to protect the baby from possible germs and as a preventive of abscessed breasts.5”Boric acid, though it is sometimes used as an antiseptic, is toxic to humans if taken internally or inhaled in large quantities. Other books recommend rinsing the breasts with hot water prior to nursing.6

Many books also contain lists of foods the nursing mother should and should not eat. Dr. Anne Newton, in her Mother and Baby: Helpful Suggestions Concerning Motherhood and the Care of Children (1912), advises mothers to practice “sacrifice and self-denial” in eating meals, and to avoid rich and seasoned foods altogether.7 Newton specifies that mothers should eat “nothing about which there is any question of fermentation. Such vegetables as cabbage, turnips, cauliflower, and tomatoes should not be given until the baby is four months old at least, and even then certain things may cause discomfort and cannot be indulged until the child is weaned.8” Dr. Thomas Gray, in Common Sense and the Baby: A Book for Mothers, notes that the breastfeeding mother should “eat an abundance of wholesome, nutritious food; avoid indigestible pastries and salads. Take sparingly of tea and coffee. Drink freely cocoa and milk. Eat fruits – not acid.9”  Some more recent books are much less rigid about the mother’s diet. Dr. Dorothy Whipple, writing in 1944, is less cautious, and argues that there’s very little a mother can eat that harms a nursing baby, mentioning only certain foods like onions that may, in breast milk, deter babies with its “unusual taste.10

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A mother breastfeeding and a selection of foods recommended for the breastfeeding mother, taken from Stella B. Applebaum’s Baby:  A Mother’s Manual (1946).

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Front cover of the New York City Health Department’s The Care of Baby, 1932.

None of the books I consulted recommended breastfeeding to two years or beyond, the WHO’s current recommendation on breastfeeding. Most books recommend weaning the baby between eight and fourteen months of age.  The New York City Department of Health warns against weaning in summer because of the risk of spoiled cow’s milk:

If possible, do not wean your baby during the hot summer months…. If you are well, it will not harm you to nurse your child until the dangerous, hot weather is over. This precaution may mean saving your child’s life.”11

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“One of life’s richest experiences,” from Dorothy Whipple’s Our American Babies, published in 1944.

Another common thread in the literature about breastfeeding is an emphasis on the pleasure and health benefits experienced by the nursing mother.  According to Tucker, “under the right conditions of lactation, … the mother should thrive and even grow stout.12” Others emphasize that breastfeeding will help the mother “get her ‘good figure’ back much more quickly than the mother who doesn’t nurse” because “nursing causes the uterus or womb to contract.13” Stella Applebaum provides this summary of the mother-baby nursing relationship:

Mother’s milk is the perfect baby food. From a healthy mother’s clean nipples, this pure, fresh, warm, nourishing, digestible food is delivered, germ-free, directly into the baby’s mouth. At the same time mother’s milk protects him against certain diseases. Suckling at the breast makes the baby feel close to his mother, happy, and secure.

Nursing benefits you, too. It stimulates the uterus to contract to normal size and contributes to your personal enjoyment and contentment. Propped in a comfortable chair or bed, you share a uniquely satisfying experience with your baby.14

Other writers underscore the vital role nursing plays in strengthening the emotional bonds between mother and child.   Buchan writes in 1804 that “the act itself is attended with sweet, thrilling, and delightful sensations of which those only who have felt them can form any idea.15” Dorothy Whipple has the last word:

…to sit in a comfortable chair and hold a little snuggling baby in your arms, to watch him grab that nipple with all the fury of his tiny might and suck and work away until he reaches that complete satisfaction that comes to a baby with a full stomach is one of the pleasantest sensations in life.16

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A mother and her baby breastfeeding while lying down, from Louise Zabriskie’s Mother and Baby Care in Pictures, published in 1941.

References

1.  Buchan, William. Advice to Mothers, on the Subject of Their Own Health; and on the Means of Promoting the Health, Strength, and Beauty, of Their Offspring. Philadelphia: John Bioren, 1804, p. 75-76.

2-3. Tucker, Genevieve. Mother, Baby, and Nursery: A Manual for Mothers. Boston: Roberts Brothers, 1896, p. 85-87.

4. Kerley, Chalres Gilmore. Short Talks with Young Mothers: On the Management of Infants and Young Children. New York: G.P. Putnam’s Sons, 1904, p. 13-15.

5.  Eldred, Myrtle M. For the Young Mother. Chicago: The Reilly & Lee Co., 1921, p. 37.

6.  Kenyon, Josephine Hemenway. Healthy Babies Are Happy Babies: A Complete Handbook for Modern Mothers. Boston: Little, Brown, and Company, 1934, p. 55-56; Zabriskie, Louise. Mother and Baby Care In Pictures. Philadelphia: J.B. Lippincott Company, 1941, p. 131.

7.  Newton, Anne B. Mother and Baby: Helpful Suggestions Concerning Motherhood and the Care of Children. Boston: Lothrop, Lee & Shepard Co., 1912, p. 74.

8.  Ibid., p. 78.

9.  Gray, Thomas N. Common Sense and the Baby: A Book for Mothers. New York: the Bewick Press, 1907, p. 39.

10. Whipple, Dorothy V. Our American Babies: The Art of Baby Care. New York: M. Barrows and Company, Inc., 1944, p. 139.

11.  New York City Department of Health. The Care of Baby. New York: Department of Health, 1932, p. 10.

12. Tucker, p. 86.

13. NYC Dept. of Health. The Care of Baby, p. 5.

14. Applebaum, Stella B. Baby: A Mother’s Manual. Chicago and New York: Ziff-Davis Publishing Company, 1946.

15. Buchan, p. 79.

16. Whipple, p. 122.

The Drs. Barry and Bobbi Coller Rare Book Reading Room – the panoramic view

The Drs. Barry and Bobbi Coller Rare Book Reading Room captured by Ardon Bar-Hama.

The Drs. Barry and Bobbi Coller Rare Book Reading Room captured by Ardon Bar-Hama. Click for the full panoramic experience.

The Drs. Barry and Bobbi Coller Rare Book Reading Room has reopened. Renovations improved environmental conditions for the collections, including a new HVAC system, restored the historic windows, and a return to the cork floor’s former glory. We are once again welcoming readers and visitors to the room and were delighted to have the chance to host the wonderful Ardon Bar-Hama, who kindly captured the space in its full panoramic glory. Click through on the image to see the interactive (and highly zoom-able) panoramic view.

A Ceroplast at NYAM

In today’s guest post, the artist Sigrid Sarda tells us how historical collections inform her work. Visitors to our Festival of Medical History & the Arts may have seen her moulages in person, and be sure to visit her blog for information on exhibitions and more of her fabulous work.

Earlier this year, I began researching the collections at the Center for the History of Medicine and Public Health. I am an artist/ceroplast, which means wax modeler. The resources I discovered at the Center have been of great inspiration to my work.

Sigrid Sarda, "MRSA," 2013. Wax, Human Hair, Life-size.

Sigrid Sarda, “MRSA,” 2013. Wax, Human Hair, Life-size.

First, let me tell you about myself. For over 30 years I was a painter. Due to the death of my father and the psychological aftermath I experienced, I ceased painting. In its place, the obsession of the wax figure came into being. Since I was completely self-taught and only worked in this medium for a few years, it was necessary to learn more about its technique and history. Having always had a fascination with religious icons, the body (particularly skin), diseases, and later on death, as well as incorporating human remains such as teeth, bone, and hair in my work, I realized I needed a better understanding of the aesthetics and techniques of wax used in creating these life-size figures and medical moulages.

While exhibiting a waxwork in New York City, I met up with Lisa O’Sullivan, director of the Center for the History of Medicine and Public Health at NYAM, and Arlene Shaner, reference librarian and acting curator for historical collections. After discussing the exhibited piece and my ambitions working in wax Dr. O’Sullivan invited me to explore NYAM’s collections. This was an opportunity not to be missed!

Upon arriving at NYAM, I was directed to the 3rd floor of the massive Romanesque building where Arlene welcomed me. Delightful, funny, and knowledgeable, she made me immediately comfortable in the surroundings of the library and excited to view the books housed in the collection. She checked out my waxwork, we geeked out on ceroplasts, and spoke about other artists whose work dealt with death such as Joyce Cutler-Shaw.

On my second visit, filled with anticipation, I found myself greeted by marvelous books and an actual anatomical wax moulage of a diseased infant. After the initial perusal of my work, Arlene knew what was needed for my research: anatomical images and techniques, and had the books waiting for me in the formidable reading room. As a bonus she brought out the works of M. Gautier D’Agoty, the 18th-century French artist and anatomical illustrator. I pored over both heavily illustrated and non-illustrated books for hours, amassing information for future waxworks. There is truly nothing like the feel of a beautiful book in your hands. The library has become quite the addiction, what with the wonderful staff and superb collection!

Below are images from D’Agoty and various books consulted at NYAM, and above is one of my wax moulages.