Color Our Collections 2024


by Anthony Murisco, Public Engagement Librarian

On Monday, February 5th, we kicked off the eighth annual “Color Our Collections!” This initiative asks libraries, museums, and other cultural institutions to submit coloring books based on their collections. These coloring books don’t just live on our site for that one week; you can access them whenever you want! Over the years we have collected over 800 free coloring books for everyone to enjoy.

Maybe you need an excuse to color? Well, besides just being a fun activity, coloring has been shown to provide other benefits. Research has shown that it makes your brain feel a sense of relaxation. You don’t have to be an artist to break out crayons or colored pencils. The “low stakes” nature of the activity lets you enjoy it more. There may also be the subconscious thought of nostalgia lingering as you color; this used to be something you enjoyed! These factors combine to provide therapeutic effects to coloring (though it is important to keep in mind “therapeutic” is not the same as actual therapy!).

For the NYAM coloring book this year, we chose images of what it was like to be healthy in the 19th and 20th centuries. “Living Well in the 19th and 20th Century” shows activities meant to relax and help people taking care of one another, a woman ready for a bike ride, and acquaintances stopping to shoot the breeze on the grass. These are just some routes that you may take when practicing your own wellness routines.

You can use the hashtag #ColorOurCollections to show off your own work and see what others are doing.

A huge thank-you to our colleagues worldwide who have contributed coloring books to the collection. We couldn’t do it without you!

References:
Ali, Shainna. “Are Adult Coloring Books Actually Helpful?” Psychology Today, 27 Mar. 2018, http://www.psychologytoday.com/us/blog/modern-mentality/201803/are-adult-coloring-books-actually-helpful, accessed February 5th, 2024.

“3 Reasons Adult Coloring Can Actually Relax Your Brain.” Cleveland Clinic healthessentials, 26 May 2020, http://health.clevelandclinic.org/3-reasons-adult-coloring-can-actually-relax-brain, accessed February 5th, 2024.

Color Our Collections 2022—175th Anniversary Edition

by the NYAM Library Team

Our annual Color Our Collections week kicks off today! From February 7 through 11, libraries, archives, museums, and other cultural institutions showcase their collections through free, downloadable coloring books. A hundred or so books are gathered at ColorOurCollections.org. Follow #ColorOurCollections on Twitter, Instagram, Facebook, and other social media platforms to participate.

As part of the NYAM-wide celebration of our 175th anniversary, this year our coloring book presents images from our history. We feature our buildings and library reading rooms through the years, along with some of their marvelous details of design. Other images allude to NYAM’s work cleaning up the city streets, improving maternal health, and weighing in on the public health effects of using marijuana. All these stories and more are found in the new NYAM timeline. Here we present a few coloring sheets to help while away your hours; for more, check out our whole coloring book.

Dr. Robert Latou Dickinson’s pen-and-ink drawing of the new Rare Book and History of Medicine Room, from NYAM’s 1933 Annual Report.

Rabbits! A possible lobby ceiling decoration for the Academy’s 1926 building, in a pen-and-ink drawing from the NYAM archives.

“King Garbage Reigns,” from Harper’s Weekly, February 7, 1891. In the 1920s, the work of the Academy’s Committee on Street and Outdoor Cleanliness helped form NYC’s Department of Sanitation.

The pamphlet cover for A Letter to Expectant Mothers (1911), in the Records of the Committee for the Reduction of Infant Mortality of the New York Milk Committee.

Cannabis sativa, in Leonhart Fuchs, De historia stirpivm commentarii insignes (1542). The Academy’s report on the public health impact of marijuana usage, commissioned by Mayor Fiorello LaGuardia, was published in 1944.

Color Our Collections 2021

by the NYAM Library Team

Our annual Color Our Collections week kicks off today! From February 1st through 5th libraries, archives, museums, and other cultural institutions showcase their collections through free, downloadable coloring books. A hundred books or so are gathered at ColorOurCollections.org. Follow #ColorOurCollections2021 on Twitter, Instagram, Facebook, and other social media platforms to participate.

The NYAM Library’s coloring book presents images from the Renaissance to the 20th century. Here are a few coloring sheets to help while away your hours; for more, check out our whole coloring book.

From Diversions for the Sick, published by the Life Conservation Service of the John Hancock Mutual Life Insurance Company (Boston, around 1938).
“Melon,” from Elizabeth Blackwell’s collection of botanical plates, A curious herbal (London, 1739).
“Gyre Falcon,” from Ulisse Aldrovandi, Ornithologiae . . . (Bologna, 1599).

Enjoy!

What Lies Beneath… #ColorOurCollections 2018


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The third annual #ColorOurCollections week has officially begun! From February 5th through 9th, libraries, archives, and other cultural institutions are showcasing their collections in the form of free coloring sheets. Follow #ColorOurCollections on Twitter, Instagram, Facebook, and other social media platforms to join in on the fun. Be sure to visit the #ColorOurCollections website for free, downloadable coloring books created for the campaign.

Our 2018 coloring book was inspired by the depths of the sea…as documented in four of our favorite early modern natural histories.

The Alsatian humanist Conrad Lycosthenes’ (1518-1561) sixteenth-century book on signs and marvels includes our cover image, featuring a choppy sea full of terrifying lobsters, scaly serpents, and a retinue of bizarre fish with lolling tongues and vicious fangs.  We’re not exactly dreaming of being airdropped into the water with this motley crew of creatures, but we do think they’ll be awfully fun to color.

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Source: Lykosthenes, Konrad. Prodigiorum ac ostentorum chronicon… (1557)

The Historia Animalium, a five-volume, 4500 page diversionary project for the prolific and energetic Swiss bibliographer Conrad Gesner (1516-1565), was published in Zurich between 1551-1558.  Gesner’s volume four, devoted to sea life, includes ethereal cephalopods, a conniving crab, and fish of all sorts, including bishop fish and other strange hybrid forms.

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Source: Gesner, Conrad. Fischbuch (1575)

The work of the Italian physician Ulysse Aldrovandi (1522-1605) remains one of our favorite sources for coloring images. Aldrovandi maintained a museum of specimens, and published his findings and those of others in a thirteen volume work on natural history.  More on Aldrovandi’s life can be found here (and don’t miss his adorable giraffe, swoon!)

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Source: Aldrovandi, Ulisse. De piscibus libri V et De cetis lib…(1613)

Finally, a contribution from the Jesuit Filippo Bonanni (1638-`1735), once a student of Athanasius Kircher and later curator of Kircher’s museum collection at the Collegio Romano. Our 1709 edition of Bonanni’s catalog of the Collegio Romano is bound with Bonanni’s important work on conchology, the earliest printed book on seashells.

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Source: Buonanni, Filippo. Musæum Kircherianum (1709)

Intrigued by the mysteries of the deep? Download, print and color our coloring book!

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#ColorOurCollections: Day 5

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Thank you to all the
institutions that took part in  #ColorOurCollections, and to all the talented artists who colored! We loved seeing your work, and some of our favorites are shared below.

We’re still tallying up participants, but so far 100 institutions have registered on ColorOurCollections.org and contributed to the collection of coloring books located there. Many more participated on social media. Institutions, it’s not too late to register and add your coloring book! The registration page will remain open until next Friday, February 17th at 5PM.

Many of this year’s coloring books featured art, plants, and animals (you can’t go wrong!), but we also saw a few other themes emerge. We saw women’s history in the coloring books of the Brooklyn Public Library, the New York State Library, Frances Willard Memorial Library and Archives, University of Houston Special Collections, and our own coloring sheet. Architecture and buildings were highlighted in Numelyo, Macalester College, DeWitt Wallace Library, Gore Place, the Watson Library at the Metropolitan Museum of Art, and many others. University archives joined in full force this year with participants such as New Mexico State University Library Archives & Special Collections, Loyola University New Orleans Special Collections & Archives, Hunter College Archives & Special Collections, and University of Manitoba Archives & Special Collections

#ColorOurCollections will return February 5-9, 2018! Until then, ColorOurCollections.org is there for all your coloring needs!

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Coloring book: Wangensteen Historical Library of Biology and Medicine, University of Minnesota Libraries

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Coloring book: University of Reading Museums and Collections Coloring Book

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Coloring book: University of Missouri Libraries, Special Collections and Rare Books

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Coloring book: Cambridge University Library

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Coloring book: Smithsonian Libraries

Check out even more beautiful colored pages in the below slideshow.

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Aldrovandi’s Quadrupeds, and #ColorOurCollections: Day 4

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It’s the fourth day of #ColorOurCollections, a week-long special collections coloring fest we’ve organized on social media. Check out all the coloring books at colorourcollections.org.

A set of charming four-footed beasts from the quadrupeds volume of Ulisse Aldrovandi’s (1522-1605) multi-volume  natural history encyclopedia is our choice for today’s coloring sheets.

Aldrovandi grew up in Bologna as the privileged son of a noble family.  His father, Teseo Aldrovandi, served as secretary for the Senate of Bologna and his mother was a first cousin of Pope Gregory XIII.  From an early age, Aldrovandi displayed a restless intelligence, studying mathematics, law and philosophy before finally earning a degree in medicine and philosophy from the University of Padua in 1553.

By the time he earned his degree, Aldrovandi had already developed a passionate interest in natural history.  A popular teacher, he taught philosophy and other subjects at the University of Bologna before he was appointed the first professor of natural sciences in 1561.  Aldrovandi’s interest was sparked by personal encounters with other major figures in the world of 16th century natural history, including the ichthyologist Guillaume Rondelet and the botanist Luca Ghini. While Ghini failed in his attempts to garner support for the establishment of a botanical garden in Bologna, Aldrovandi was successful, founding the garden with the support of the Senate in 1568 and serving as its director for almost 40 years.  He also travelled widely, often with students, to collect plants  and natural history specimens.

Over the course of his lifetime, Aldrovandi assembled a natural history museum of 18,000 specimens, as well as an extensive herbarium.  Only four of the thirteen volumes of his magisterial Storia Naturale were published during his lifetime; the others appeared posthumously over a period of decades.  He left the museum collections, his library, his unpublished manuscripts, drawings, water colors and the wood blocks that were meant to be used to illustrate the encyclopedia volumes to the city of Bologna when he died.  A portion of the specimen collections can be visited today in the Istituto delle scienze at the Palazzo Poggi, while the manuscripts, watercolors, and wood blocks are available for study in the library at the University of Bologna.

If you like Aldrovandi’s majestic beasts, you’ll love the following coloring pages from our participating institutions.

We’re mesmerized by Dittrick Medical History Center‘s beautiful Anatomy of an Horse (1683) by Andrew Snape.

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Enjoy coloring the many details of University of Strathclyde Glasgow‘s regal lion from Michael Maire’s Atalanta Fugiens (1618).

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Finally, here is the legendary manticore for your coloring delight. The Donald F. and Mildred Topp Othmer Library of Chemical History adds a bit of whimsy with Historie of foure-footed beastes(1658) by Edward Topsell.

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Check back in tomorrow for the last day of #ColorOurCollections!

 

Hebra’s Atlas of Skin Diseases, and #ColorOurCollections: Day 3

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It’s the third day of #ColorOurCollections, a week-long special collections coloring fest organized on social media. Every day on our blog, we will feature #ColorOurCollections coloring sheets from our library, along with content from participants worldwide.

Today’s Academy coloring sheets come from the works of Ferdinand von Hebra  (1816- 1880), a significant figure in the influential Vienna school of dermatology. Dermatology emerged as a clinical specialty in the early to mid-19th century, and in 1849, Hebra was appointed the first German language professor in the subject, at Vienna General Hospital.[i]

Hebra’s Atlas of Skin Diseases (1856 – 76) was a monumental work printed in 10 installments, with mostly life-sized illustrations, using the new technique of chromolithography, which allowed the artist to draw directly onto the lithographic stone and print in color. The illustrations were created by two Viennese painter physicians, Anton Elfinger and Carl Heitzmann. Each issue of the Atlas was dedicated to a group of disorders which affected the skin.

The “tattooed man” is an unusual addition to the Atlas, being presented as of cultural rather than the clinical interest. Unusually, the tattooed man is also identified by name, as Georg Constantin, a circus performer from Albania. Constantin was a well-known circus performer, who traveled extensively in Europe and North America. He spent time with Barnum’s Circus as “Prince Constantine,” where he also sold pamphlets describing his tattoos (which are variously described as Chinese and Burmese in origin).[ii] Constantin’s body was covered with 388 tattoos of animals and symbols in red and blue. As was Hebra’s habit, Constantin was depicted twice in the Atlas, once in full color and once as the outline drawing presented here.[iii]

Itching to color the tattooed man? Some of these intricate patterns from participating institutions may also be your groove.

From University of North Carolina at Chapel Hill’s Health Science Library: Adam Lonicer, Naturalis historiae opus novum (1551).
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From Amguedddfa Cymru – National Museum Wales: Benjamin Wilkes, Twelve new designs of English Butterflies (1742).

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We’re also loving Muhlenberg College Trexler Library‘s maps coloring book.  Check out this detailed world map of Johann Baptist Hormann’s Planiglobii terrestris cum utroq hemisphærio cælesti generalis repræsentatio (1720).muhlenbergcollege_colorourcollections_maps

References:

[i] Holubar, K. (1981), Ferdinand von Hebra 1816–1880: On the Occasion of the Centenary of His Death. International Journal of Dermatology, 20: 291–295. doi:10.1111/j.1365-4362.1981.tb04341.x

[ii] Margo DeMello, Bodies of Inscription: A Cultural History of the Modern Tattoo Community (Duke University press, 2000), p56. DeMello states that Constantin sold pamphlets describing the “Chinese cannibal natives” who had forced his tattooing on him. In Hebra’s Atlas the tattoos are identified as being Burmese. There is also a suggestion that Constantin had himself tattooed with an eye to displaying himself as a circus attraction.

[iii] Mechthild Fend, “Skin portraiture ‘painted from nature’: Ferdinand Hebra’s Atlas of Skin Diseases (1856-76)”, in Hidden Treasure, Michael Sappol (ed), New York: Blast Books, 2012, pp. 122-26.

Elizabeth Blackwell’s A Curious Herbal, and #ColorOurCollections: Day 2

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Elizabeth Blackwell’s A Curious Herbal has quite a curious publication story.  We’ve transformed six images from this stunning eighteenth-century botanical first published in 1737 in London into coloring sheets.

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Blackwell’s melon, colored by library staff member, Emily Miranker.

Aberdeen-born Elizabeth Blackwell (1700-1758), the daughter of a successful merchant, married her cousin Alexander Blackwell at age 28.  Though trained in reading Greek and Latin, Alexander practiced as a physician in Aberdeen, without appropriate permissions. The couple relocated to London when his right to practice medicine in Aberdeen was challenged.  In London, Blackwell opened a printing shop—again without the proper credentials, and again with less than stellar results.  When he couldn’t pay his business debts, he was installed at the city’s Highgate Prison.

Elizabeth, by then a mother, needed to find a way to support her family.  The printer’s shop she operated with her husband had made her a savvy observer of the book marketplace.  She realized that a new high quality herbal including New World species didn’t yet exist.  She took a room next to the Chelsea Physic Gardens, which exhibited some of the new American plants.  Later, she ferried the finished drawings to the prison at Highgate, where her husband supplied the Latin and Greek names of the plants and their uses. Some American plants, like sassafras, native to Virginia, were given only the English and Latin names.

Alexander also offered counsel on the plants’ medicinal uses.  The text accompanying sweet gum, here, “sweet cistus of candy” attests that it “Stays Vomiting” and that “the Fume of it Comforts the Brain” (we’re hoping that these same effects can be said about the practice of coloring these images).

blackwell_watermarkblackwell3Elizabeth was not only responsible for the drawings themselves, but did the engravings of the drawings on copper plates for printing.  In many copies, she hand-colored every single plate.  The images were first published at a rate of four a week, beginning in 1737, but through her own connections and market-savvy, she soon secured a book deal.  With the profits, Elizabeth was able to secure Alexander’s release from Highgate Prison, though their reunion was temporary (later he was put to death in Sweden for treason, though that is another story).

This week, we’re grateful that our own copy of Blackwell’s Curious Herbal is gloriously pristine so that we could transform them into a bouquet of coloring sheets.

In need of color specifics?  Blackwell’s text gives vivid, precise descriptions of the hues of her selected plants.  Great Bindweed (v.1, plate 38), which blooms in the late summer, has leaves that are “a willow green” with “Flowers white,” while her Female Piony possesses “leaves a grass green and flowers a fire crimson.”

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We leave it to you imaginative colorists to fill in these pages in any range of glorious hues you like!

While we’re on a plant theme, let’s take a look at some beautiful coloring pages from participating institutions.

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New York Botanical Garden includes this lovely sunflower in their coloring book. Source: Basillius Besler, Hortus Eystettensis (1613).

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Williams College Libraries includes this ready-to-color image from Leonhart Fuchs’ De historia stirpium (1542).

Don’t forget to check out more coloring books at colorourcollections.org!

#ColorOurCollections 2017: Day 1

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The second annual #ColorOurCollections week has officially begun! From February 6th through 10th, libraries, archives, and other cultural institutions are showcasing their collections in the form of free coloring sheets. Follow the hashtag on Twitter, Instagram, Facebook, and other social media platforms to be introduced to new library collections, find out more about your favorites, and have some fun. Throughout the week, we will be featuring new coloring books from other institutions on the blog, and be sure to visit the #ColorOurCollections website for the list of participants and a collection of coloring books created for the campaign.

We also plan to showcase the work of the talented colorists out there! Share your filled-in sheets on social media with the hashtag #ColorOurCollections for a chance to get featured on our blog.

Our coloring book this year features hooved creatures from Ulisse Aldrovani’s Qvadrvpedvm omniv bisvlcorv historia, 1621; beautiful botanicals from Elizabeth Blackwell’s A curious herbal, 1739; and a dashing tattooed fellow from Ferdinand Hebra’s Atlas der Hautkrankheiten, 1856-1876. Download our full coloring book and check back throughout the week for background on our sources.

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The coloring content shared by collections so far tell us we are in for an incredible week! We’re particularly taken with Europeana’s Art Nouveau coloring book. The style lends itself beautifully to coloring sheets and we cannot wait to get started on the nasturtium design.

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The Biodiversity Heritage Library’s new coloring book features the work of great naturalists such Pierre Belon, Mark Catesby, and John Gould.

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We’re excited to see some new participants this year! The Rosenbach created several coloring sheets based on bookplates from their exhibition The Art of Ownership.

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Keep following #ColorOurCollections on your favorite social media outlets. Happy coloring!

#ColorOurCollections: February 6-10, 2017

Get your crayons and colored pencils ready, we’re gearing up to #ColorOurCollections again! This year’s library social media coloring extravaganza will happen February 6th-10th. During that week, libraries, archives, special collections, and other cultural institutions around the world will share coloring sheets based on materials in their collections.  You will find these posts on social media with the hashtag #ColorOurCollections, as well as on our new website, colorourcollections.org.

Last year, more than 210 libraries and cultural institutions participated, representing 7 countries (United States, Canada, United Kingdom, France, Spain, Australia, and New Zealand). Institutions, let’s make it even bigger this year. If you work in a library or special collection, join us in this fun initiative! Find out how to participate here.

If you can’t wait and want to sharpen those coloring skills, try your hand at one of our new coloring sheets. This illustration of 26 notable women comes from the pamphlet Famous women of the world published by the Pepsin Syrup Company, circa 1920.

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