#PageFrights & Pumpkin Carving

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Our library cat is very skittish and only sighted in the weeks leading up to Halloween.

Halloween is just days away and we’re sad to see the end of #PageFrights, a social media celebration of Halloween, library & archives-style. All month long, libraries and other cultural institutions have been showing their scary side on social media, using the hashtag #PageFrights.

With shelves of anatomical atlases, books on bones, and natural histories filled with peculiar creatures, our collection has plenty of strange, frightful content to share, and this month has been spectacularly spooky fun.  The campaign was spearheaded by the Biodiversity Heritage Library, Medical Historical Library at Yale University, Smithsonian Libraries, and us, and many other fantastic institutions are participating!  Be sure to check out the hashtag if you haven’t yet.

In addition to exploring all the #PageFrights action on social media, you can take part by carving pumpkins. Now, we are strongly opposed to the presence of pumpkin pulp around books (a truly terrifying thought to librarians), but #PageFrights participating institutions have created a number of collections-inspired pumpkin carving patterns! These designs are available here. We created two patterns using sources in our natural history collection: Gesner’s Historia Animalium Liber IIII, 1558, and Aldrovandi’s Serpentum, et draconum historiae libri duo, 1640. If you use them, be sure to post your creation to social media with the hashtag #PageFrights!

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Octopus from Gesner, Historia Animalium Liber IIII, 1558. Click to enlarge.

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Dragon from Aldrovandi, Serpentum, et draconum historiae libri duo, 1640. Click to enlarge.

For even more Halloween content from our collections, click the links below:

Happy Halloween!

bhlpumpkinslitandregularCarved #PageFrights pumpkins, courtesy of the Biodiversity Heritage Library

A Visit to the Drs. Barry and Bobbi Coller Rare Book Reading Room

Dr. Patrick Brunner, the author of today’s guest post, is Instructor in Clinical Investigation at The Rockefeller University.

On July 26 2016, a group of young physician-scientists from The Rockefeller University visited the Drs. Barry and Bobbi Coller Rare Book Reading Room at the New York Academy of Medicine. As part of the Clinical Scholars curriculum, led by Dr. Barry Coller and Dr. Sarah Schlesinger, these researchers regularly meet for educational tutorials, and the excursion to the Rare Book Room has clearly been one of the highlights of this past semester.

Arlene Shaner, the curator of this exceptional collection, presented seminal works to the group, and her deep insight and passion for the history of medicine made the excursion a unique experience. Ms. Shaner started the tour with the presentation of one of the most outstanding works of Western medicine – Andreas Vesalius’ opus magnum “De humani corporis fabrica libri septem” (On the fabric of the human body in seven books) from 1543. Ms. Shaner comprehensively and clearly outlined the historical context in which this book had been published, and fascinated her audience with a display of the book’s iconic woodprints. This artwork, which everyone in the room had seen in numerous reproductions, now laid open in its original form – showing the famous muscle man posing in front of an Italian landscape, and the skeleton, leaning on a spade, gazing towards the sky.

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Skeleton from the 1543 Fabrica. Click to enlarge.

A letter, sent from Oxford, dated July 7th, 1909, had been incorporated into the book as an inscription. From this letter one can learn that Sir William Osler himself donated the book to the New York Academy of Medicine. Ms. Shaner clearly knows each and every inch of this version of Vesalius work, one of three copies that the New York Academy of Medicine holds.

osler_detail_watermark Inscription by Sir William Osler found in our 1543 Fabrica. Click to enlarge.

Vesalius’ Fabrica has undoubtedly been one of the most influential books on human anatomy, overthrowing the observations and influences of the Greek physician Galen, which had been uncontested by Western medical science for more than 1300 years. And it was not until 1628 that another seminal work, which had also been put on display for the evening, William Harvey’s treatise “Exercitatio anatomica de motu cordis et sanguinis in animalibus” (On the motion of the heart and blood in animals), established that blood circulates in a closed system, and that the heart acts as a pump – a manuscript considered by many scholars to be the single most important publication in the history of physiology.

The visitors from The Rockefeller University were greatly impressed by the richness of this library – especially as they learned that all the books are available for review through the library’s archives, be it the “Anatomia hepatis” (The anatomy of the liver) by Francis Glisson, or the first atlas of skin diseases by the dermatological founding father Ferdinand von Hebra.

Arlene Shaner also presented Bernhard Siegfried Albinus’ “Tabulae sceleti et musculorum corporis humani” (Tables of the skeleton and muscles of the human body), first published in Leiden in 1747, which not only depicts anatomical studies in a monumental fashion, but presents the models within elaborate and artful surroundings – overall, an impressive testimonial of its time.

The climax of the visit was the display of a very special gift donated to the New York Academy by Sir Alexander Fleming – a capsule containing a colony of Penicillium, taken from the original culture that produced one of the world’s first antibiotics for medical use. And it has only been about 70 years since this medication became available!

fleminggrayobverse_watermarkCapsule containing a colony of Penicillium, donated by Sir Alexander Fleming. Click to enlarge.

Seeing all these treasures that irreversibly changed the world, and learning about the stories behind them in the context of both medical and art history, was a unique, and almost sensual, learning experience for the visitors, and Ms. Shaner’s never-ending expertise helped everyone in the room to deeply dive into history.

Aldous Huxley once said: “The charm of history and its enigmatic lesson consist in the fact that, from age to age, nothing changes and yet everything is completely different.”  Understanding the challenges that these authors face during their life times, which may not have been quite so different from the ones that we face today, while, at the same time witnessing the dramatic changes that have been instigated by their works, was a true inspiration. The afternoon passed quickly, and everyone agreed that they wanted to come back and further explore this treasury in the middle of New York City.

Discover Grey Literature: Hidden Health and Science Resources

By Danielle Aloia, Special Projects Librarian

This fall, the Academy will host the 18th International Conference on Grey Literature to reveal one of the most valuable hidden resources for students, health professionals, and researchers. This post was originally posted on The New York Academy of Medicine‘s blog, Urban Health Matters.

Where can anyone get access to more than 20,000 expert health and science resources for free? The Grey Literature Report—GreyLit for short. A treasured resource among librarians since 1999, the GreyLit Report also offers students, health sciences researchers and professionals a one-stop-shop for incredibly difficult to find information. Once a quarterly publication, the GreyLit Report became so popular by 2006 that the Academy doubled the number of issues published each year.

greylitscreenshotWhy Grey?

The very title of the report is a clue to why it’s such a valuable tool. The carefully curated resources it provides often exist in a “grey” area between widely distributed peer-reviewed journals and the proprietary research that does not make it into the public sphere.

Grey literature is notoriously hard to find, often buried on the websites of any number of organizations or in the stacks of medical and science libraries. By publishing a categorized, bi-monthly compendium of the top resources in the field, the GreyLit Report does the detective work for thousands of overwhelmed students, scientists and academics that often leads them to the critical information they need to complete their work.

One popular document included in the report, for example, was A closer look at the implementation of taxation on sugar-sweetened beverages: a civil society perspective, published by the government of Barbados. Normally, this study would not land on the desks of American researchers, even those studying nutrition policy. It was nearly impossible to find on Google, prior to its mention in the August 2016 GreyLit newsletter, yet it offers a valuable analysis of the policy implications of attempting to regulate the consumption of unhealthy foods.

I discovered GreyLit long before I came to the Academy to become the editor of the report. In my previous life at AARP, as editor of the AgeLine Database, the premier literature database on aging research, the GreyLit Report became one of my most valuable sources of publications on aging.

I could just glance at the report and find new resources. It also became a way for AARP’s research to be disseminated to a broader audience, as it sometimes included research from other divisions.

Now, 17 years after it was created, the Academy’s GreyLit Report is still the only publication of its type in the United States. This year, as members of GreyNet International, an organization dedicated to increasing public awareness of grey literature, the Academy will be hosting the 18th International Conference on Grey Literature on Nov 28th and 29th, 2016. This year’s topic is Leveraging Diversity because grey literature can play a pivotal role in the search for solutions to urban health challenges here in New York and around the world.

That’s also why we have named the week of Nov 28 as the 1st International Grey Literature Week. We will be holding workshops and events along with the conference in celebration of grey literature. If you are interested in finding the best, hidden resources in your field, join us this November and discover GreyLit!

Ninety Years and Counting

By Arlene Shaner, Historical Collections Librarian

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Postcard showing entrance to The New York Academy of Medicine, n.d.

On Saturday, October 15th tours of The New York Academy of Medicine’s building will again be part of Open House New York, the city’s annual celebration of architecture and design.  This year’s event is a notable one for us because our building is ninety years old. On October 30, 1925, after sixteen years of fund-raising, searching for just the right location, and reviewing and approving plans drawn up by the architectural firm York & Sawyer, the trustees of the Academy laid the cornerstone for our present home. Slightly over a year later, on November 18, 1926, after an afternoon dedication ceremony, the building opened to the public.  The election of Honorary Fellows and the delivery of the Wesley M. Carpenter Lecture, by Professor Michael I. Pupin of Columbia University, took place that evening.

The building received quite a bit of attention in the press when it opened. The December 1, 1926, issue of the Medical Journal and Record devoted more than twenty pages to descriptions of the opening ceremonies, including the texts of several of the speeches from the November 17th dinner at the Waldorf Astoria that preceded the formal dedication, Arthur Duel’s account of the history of the Academy’s several homes, and Mabel Webster Brown’s detailed exploration of many of its architectural features.1

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Postcard with exterior view from 103rd Street of The New York Academy of Medicine, n.d.

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Postcard with view of Woerishoffer Hall, the Academy’s third floor reading room, constructed in 1925.

The building is a showcase of the Byzantine and Romanesque revival style popularized by York & Sawyer in collaboration with the interior design firm Barnet Phillips, whose other New York projects with the architects include the Central Savings Bank, the Bowery Savings Bank and the New York Athletic Club, all of which display similar design features.2 The Academy’s new home contained nine floors of library stacks; the main library reading room, Woerishoffer Hall, with its large arched windows looking out to the north and west; the auditorium, Hosack Hall; reception rooms; office spaces; and meeting rooms for the Academy and several other organizations. A carved lunette featuring Asclepius, the Greek god of medicine, and his daughter, Hygeia, the goddess of health, fills the archway above the front entrance, flanked by portraits of Hippocrates and Galen. Carved Latin inscriptions, selected by a committee of Academy fellows, fill niches above the front door and some of the windows. Elaborately painted beamed ceilings, depicting animals and plants important to the history of medicine, grace the main lobby area and the third floor reading rooms. The bronze animals and plants inlaid in the marble floor of the entrance lobby, along with the carved figures in the auditorium, add whimsical touches that still attract the attention of visitors today.

Above, a squirrel and a mandrake adorn the floors of our lobby.

In 1928, Architectural Forum, one of the most prominent national architecture magazines, featured the building in its April Architectural Design issue, providing floor plans as well as multiple photographs of the interior and exterior spaces. Matlack Price, in his preliminary comments, complimented the architects on their ability to make the design seem “so new, so fresh, so vital as to seem almost the same stuff as the modernistic trend of today, the difference being that this new revival of Byzantine and Romanesque is far better than most of the modernistic work is, or is likely to be. This structure is among the most interesting of recent buildings.”3

 Although the Academy expected its new building to provide sufficient space for at least twenty years of library growth, by 1930 the trustees were already exploring plans for an expansion. At the end of 1932 the addition that contains the rare book room suite and other office and study spaces rose above the auditorium on the northeast side.

While looking through the archives in preparation for this year’s tours, sets of postcards illustrating a number of the architectural features of the building came to light. We know that these cards could not have been made until after the spring of 1933, when the addition was completed because one of the cards shows the interior of the rare book room (below). The postcards, which are part of this post, show many of the elements of the building that are still visible today.

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Interior of our rare book room, now called the Drs. Barry and Bobbi Coller Rare Book Reading Room.  n.d., but after 1933.

References

1Duel, A. B., “The Building of the Academy,” Medical Journal and Record Dec. 1, 1926, pp. 718-721 and Brown, M.W., “Art and Architecture of the Academy of Medicine’s New Home, Medical Journal and Record Dec. 1, 1926, pp. 729-734.

2https://archive.org/stream/SelectionsFromTheWorkOfBarnetPhillipsCompanyArchitecturalDecorators/BarnetPhillipsCompanyCca107588#page/n0/mode/2up  Accessed on October 4, 2016.

 3Price, M., “The New York Academy of Medicine,” Architectural Forum, Part I: Architectural Design, v.XLVIII, no.4, April 1928, pp. 485-503.

Cool Products for Curious Minds

Emily Miranker, Project Coordinator

Here at the Library our highest priority and our favorite thing to do are one and the same: share the collection. We’re constantly thinking up new ways to do this and we’re thrilled to announce the latest: we’ve launched an online shop with over 3,000 products featuring images from our collections. If you’ve ever been entranced by a gorgeous picture featured on the blog, something we’ve posted on our Instagram feed, or an item seen during an in-person visit to the library, our store is for you! Or if you need a truly unique treat for someone in your life who’s just impossible to find the perfect gift for; we’ve got you covered.

The items you’ll find in our shop range from accessories to home goods to fine art. The products mirror the diversity of our collections from medicine, food, and cookery, to New York City history, botany, and much more. And, best of all, the proceeds from shop sales support preservation of the collections, outreach and programming.

This group of musicians come from an 18th century work by Jacques Gamelin –possibly my favorite memento mori in the collection.

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Spiral notebook, featuring the musicians of Jacques Gamelin’s Noveau recueil d’ostéologie, 1779.

As you browse the items, you’ll find bibliographic and historical information about the featured image in the product description. And if you’re not interested in a notebook per se, there’ll be a link to see the image on other products.

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In the Academy’s online shop, you can find other product options using a particular image from the collections.  Here, headphones, a lamp and a t-shirt, to name just a few.

The subjects of our images were frequently the inspiration for the products on which they feature. Even the most familiar picture gets some new life breathed into it as they take on new forms.

Below, we draw from a confectioner’s 1907 cookery manual, a tempting selection of pretzels and breads from Prague, and a detail of condiment bottles from Lyman Phillips’ helpful book for the solo gentleman A Bachelor’s Cupboard, and the best Benjamin Franklin look-a-like I’ve ever seen on a 1911 pamphlet from our Margaret Barclay Wilson cookery collection.

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Paper plates from the Academy shop, with image, “Types of Dessert Fancies” from John Kirkland’s The modern baker, confectioner, and caterer…, 1907.

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Apron from the Academy shop, using an image from Emil Braun’s 1903 Baker’s Book.

We’re also loving kitchen accessories from our Botanicals collection:

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Clove serving tray from the Academy shop, featuring an image from Robert Bentley’s Medicinal Plants, 1880. 

In case you’re starting to think about holiday cards or stocking stuffers for later this season, consider any of these:

Enjoy seeing our collection from these new angles. Don’t forget that we are open to readers by appointment four days a week, and for those just wanting to visit, we have lunchtime tours on the first Monday of the month .

We will be constantly adding new products to the store, if you’d like to see your favorite image on a product, feel free to get in touch and we will see what we can do!