Updating the Robert Matz Hospital Postcards Collection

By Miranda Schwartz, Cataloger

In May 2021, the Library rolled out an update to the Robert Matz Hospital Postcards Collection, one of the digital collections on our Digital Collections & Exhibits website. The upcoming Open House New York Weekend, October 16–17, seems like an apt time to share the updated collection with readers, as the digitized postcards provide a wonderful visual history of New York City hospitals and their architecture.

The Collection

Since 2015 Dr. Robert Matz has been graciously donating postcards of hospitals from his personal collection to the Library; he’s given about 3,000 postcards to date. The bulk of the collection shows hospitals in New York City, with smaller sub-collections of hospitals across the state and country. The collection provides a rich visual history of hospital buildings across decades, both exterior views as well as glimpses of patient wards and chapels, doctors and nurses, and even a children’s schoolroom. The collection also provides a look at postcard printing trends. Many of these buildings no longer exist, but seeing these postcards gives us invaluable visual information about them. In addition, the personal messages on the postcards provide readers with fascinating slices of everyday life.

2019 Pilot Project

In 2019 we began a pilot digitization project, scanning 119 postcards of New York City hospitals and uploading them to our website, arranged by borough. A blog post on February 21, 2020, by Robin Naughton, former head of digital, explained the pilot project and digitization process and launched the online collection. We were excited to give the public online access to these fascinating materials.

Time for an Update

In mid-2020, the Library team decided that a full update of the postcard project was needed to create more accurate metadata (data about data). We had taken the original information for the digitized postcards from an Excel spreadsheet created by volunteers; however, the postcard metadata needed standardization of terms and vocabulary and a consistent overall structure. Therefore, we undertook a general review and update.

Metadata Creation

As the cataloger, I created a set of metadata standards that aligned with best practices in the field. Each postcard would have the Library of Congress subject headings Hospitals and Hospital buildings as well as a standardized location heading, for example, Hospitals — New York (State) — Kings County. In a new spreadsheet I added standardized subject headings depending on what was visible in the postcard or read in the message. If there were trees in the postcard, I added Trees. All these subject headings are searchable so that a viewer can click on the word Trees in one postcard’s subject headings and generate a list of all postcards with Trees as a subject heading or even as a word in the description.

I rewrote the description of each postcard, transcribed the postcard messages, deleted unhelpful keywords, checked the dates of each postcard’s manufacture, checked the official hospital names, and checked the names of the printers and publishers. I was assisted by our summer intern, college student Liani Astacio, who transcribed postcard messages and addresses and checked hospital names, locations, and Library of Congress subjects. She also rewrote some of the postcard descriptions.

Research Sources

Metropostcard.com was an invaluable site for dating the postcards by their design features. The introduction of the divided-back postcard in the U.S. in 1907 was a major event in postcard history, and this fact alone helped me assign a date range to many of the postcards. For further help in dating, I looked up stamp prices using the USPS website and a Wikipedia page about postage rates. The home pages of many hospitals were also helpful in giving me a building chronology, as were various New York City architecture blogs.

Technical Process

Updating each postcard individually would have been time-consuming so we created an automated process to batch update the postcards’ metadata. Andrea Byrne, the Library’s former digital technical specialist, saved the Excel metadata spreadsheet as a CSV file and then created individual MODS (Metadata Object Description Schema) XML files (3 for each postcard) that could be uploaded into Islandora, our digital asset management system. Her tools were the XML editing program Oxygen, and a script that she worked out with our Islandora vendor, discoverygarden inc. After the new MODS files replaced the existing MODS files online, I read each field of each postcard against the data in the Excel spreadsheet to check for accuracy, and Andrea made any necessary corrections. The update was complete!

The Updated Collection

The updated Robert Matz Hospital Postcards Collection went live in early May. We’re proud of our work, feeling that we’ve captured the unique elements of these images of hospital buildings and city street life. The engaging, information-rich postcards on our digital website are just a small part of the collection. Our hope is to digitize and create metadata for all the postcards in the Matz collection. Then viewers will be able to see thousands more postcards and delve further into hospital and postcard history.

Highlights from the Collection

A view of Montefiore Hospital and Medical Center in the Bronx highlights its entrance gate and driveway, with a group of people in the main doorway.

.

.

.


St. Catherine’s Hospital, Brooklyn (1901–1908)

The ivy-covered walls of St. Catherine’s Hospital in Brooklyn are a dramatic backdrop to this glimpse of Brooklyn street life.

.

.

.

.

.


General Memorial Hospital, Manhattan (1907–1909)

This Gothic Revival building at 106th Street and Central Park West housed New York City’s first cancer hospital and went through a number of iterations before falling into disrepair in the 1970s. The building was converted to luxury condominiums in the early 2000s.

.

.


River Crest Sanitarium, Queens (1901–1907)

This postcard for River Crest Sanitarium functions as an advertisement of available services, assuring its patients of a “home-like” atmosphere on its campus on Astoria.

.

.


Smith’s Infirmary Hospital, Staten Island (1890–1917)

Smith’s Infirmary Hospital was Staten Island’s first private non-profit hospital. The castle-like building was demolished in 2012, after years of neglect. Interestingly, the postcard is addressed to Miss Christine Geisel of Springfield, Massachusetts, the paternal aunt of famed children’s book author Dr. Seuss.

.


Sometimes a hospital doesn’t need to be a building! Here is the Floating Hospital, likely in the East River, with passengers aboard. The Floating Hospital wasn’t a true hospital, but rather a recreational service for children and their families; it provided onboard medical exams for children and child-care instruction for their mothers as they enjoyed summer boat outings. The organization later opened a hospital building, the Seaside Hospital on Staten Island.

English-Language Manuscript Cookbooks

By Stephen Schmidt, Manuscript Cookbooks Survey

Over the course of a decade, culinary historian Stephen Schmidt has advised the NYAM Library on our extensive manuscript cookbook collection. This blog post is a version of the essay he wrote about our digital collection Remedies and Recipes: Manuscript Cookbooks. As part of Bibliography Week 2021, he is speaking on “Manuscript Cookbooks and Their Audience” on January 30.

Introduction to Manuscript Cookbooks

The modern Anglo-American tradition of manuscript cookbooks might be said to begin with the world’s first printed cookbook, De honesta voluptate et valetudine, or “On right pleasure and good health.” Written by the celebrated humanist writer Bartolomeo Sacchi, known as Platina, and first published around 1474, the book was translated into Italian, French, and German within a few decades of publication, and it remained widely read throughout Europe into the early eighteenth century. The book featured both a new cuisine and, just as importantly, a new attitude toward food and cooking. Platina presented an interest in food and its preparation as a kind of connoisseurship akin to the connoisseurship of painting, music, or literature. Europe came to call Platina’s attitude toward food and cooking “epicurean,” and those who espoused it “epicures.” At the dawn of the sixteenth century, these new individuals were emblematic of the Renaissance European world.

Platynae De honesta uoluptate: & ualitidine (Venice,  1498)

When Italian epicureanism was first unleashed in Europe, England was in the throes of its own cultural and intellectual Renaissance. Among the English elite classes, the quest for new knowledge found expression in the collecting and creating of recipes, known then and well into the nineteenth century by the now-archaic word “receipts.” Originally the word receipt meant a prescription for a medicine or remedy. During the Renaissance, as the knowledge-hungry English began to write and collect prescription-like formulas for all sorts of things, the term receipt broadened accordingly: directions for farming and building; formulas for chemistry and alchemy; recipes for practical household products like cleaning solutions and paints, and, amid the growing epicurean spirt of the time, food recipes. The sixteenth-century English made a distinction between receipts pertaining to the home and commonly undertaken by women, and receipts for things involving work outside the home, assumed to be the concern of men. Thus, most who collected food and drink recipes also collected receipts for medicines, remedies, cosmetics, and household necessities such as candles, cleaners, pesticides, fabric dyes, and ink. Today, these books of mixed home recipes are often referred to as “cookbooks” when a substantial portion of their recipes concern food and drink.

Cookbooks in History—Manuscript and Print

There is a persistent belief that in the early modern world recipes originated in the home and then were subsequently picked up in print cookbooks. In fact, this was true in England only during the Renaissance, that is, up to about 1625. Only about a dozen cookbooks were published in England, from the first, in 1500, to that date. This may have been due to a lack of demand, but it was also surely due to the thorny practical problem that, cookbooks being a new idea, a community of writers possessing the specialized skills needed to produce them had yet to develop. Printers solved this problem in the only way they could: by cobbling together their printed cookbooks from manuscript cookbooks compiled by ladies of the peerage and then slapping titles and, in some instances, putative authors on them, all of whom, of course, were men. In most instances, the women who actually wrote these cookbooks were unacknowledged—some of their manuscripts may well have been pilfered from their estates—although two Renaissance cookbook authors, John Partridge and Gervase Markham, did explicitly credit noble ladies as the true originators of their printed books. While manuscript cookbooks preceded print cookbooks during the English Renaissance, this situation was soon to change.

G.M. [Gervase Markham], The English House-Wife (1637), in A way to get wealth: containing sixe principall vocations or callings, in which every good husband or housewife may lawfully imploy themselves (London, 1638)

During the seventeenth century, the number of published cookbooks grew rapidly in England, as did the number of manuscript cookbooks, to judge from those now extant. As the use of printed cookbooks spread, most recipes in manuscript cookbooks cycled through print at some point. In fact, quite a few manuscript cookbooks compiled after the mid-seventeenth century contain recipes copied verbatim from print. As English cookbook publishing matured, female cookbook authors appeared, starting with the remarkable Hannah Woolley, active in the 1650s through the early 1670s. In the eighteenth and nineteenth centuries, female cookbook authors, who generally branded themselves “experienced housekeepers” rather than professional cooks, dominated English and American cookbook publishing. The relationship between manuscript and print, however, remained the same: recipes cycled from print into manuscript and back into print again, until cooking fashions changed and the old recipes were replaced by new ones.

The NYAM Collection

The eleven NYAM receipt books in Recipes and Remedies show the same organization patterns common to most manuscript books in the English-language tradition. For example, in most of the NYAM books, the culinary recipes are separated from the medical and household recipes in some fashion. In some of the NYAM books, recipes are clustered by subject matter, that is, a clutch of food recipes will be followed by a clutch of medical recipes, and so on. In other NYAM manuscript cookbooks, the culinary recipes are written from the front of the notebook while the medical and household recipes are written from the back of the notebook going toward the center. In one item in the NYAM collection, the medical and household recipes are also written upside down in relation to the culinary recipes, making the separation more explicit.

“a receipt for pound cake,” from Hoffman cook book : manuscript, circa 1835-1870

The Hoffman cook book in the NYAM collection is rare in that it unveils a style of cooking outside the mainstream norm. Written in halting English by a German immigrant to America, this highly interesting cookbook is composed primarily of German-inflected recipes like those we today associate with the so-called Pennsylvania Dutch. It also contains recipes for standard American dishes, such as roast turkey, pumpkin pie, and pound cake, but approached in idiosyncratic ways by a woman struggling to interpret a cuisine that was foreign to her. While the author of this cookbook was a cultural and linguistic outsider and her cooking outside the contemporaneous American mainstream, she was also a woman of privilege, a member of a prosperous German-American family that had owned paper mills in Maryland since the eighteenth century. For these reasons she was the sort of person, whether in Germany or America, who would be expected to use recipes and perhaps also to collect them.

Manuscript cookbook authors tended primarily to collect recipes for fruit preserves, fruit and flower wines, sweet dishes, cakes, and, after 1700, breads and cakes served at breakfast or with tea. About half of the manuscript cookbooks in the NYAM collection reflect the typical manuscript preference for sweets. Most of the culinary and drink recipes in Gemel book of recipes and A collection of choise receipts are geared to banqueting, an extravagant repast of sweets that was sometimes served after important meals and sometimes staged as a stand-alone party during the sixteenth and seventeenth centuries. Recipe book, 1700s titles its culinary section “Wines, Sweetmeats, & Cookery”; recipes in the first two categories far outnumber those in the last. Receipt book, 1848–circa 1885, by an American woman named Jane Beck, can be aptly described as a cake cookbook. This inclination can be explained, in part, by the fact that many ladies personally participated in preserve-making, distilling, and baking, while relegating the preparation of the principal dishes of dinner entirely to their cooks. In addition, the success of sweet dishes and cakes hinges on precise recipes, while savory dishes can be successfully executed intuitively, without recipes, at least by good cooks, or so people seem to have believed. Finally, up through the nineteenth century, the biggest per capita consumers of sugar in the world were the British, with the Americans not far behind.

“For the Jaundies” and “Almond Butter,” from A collection of choise receipts : manuscript, circa 1680-1700

Conclusion

Manuscript cookbooks contain insights that historical printed cookbooks lack. Manuscript recipes are likely to have been cooked from, if not by the person who collected the recipe and wrote it down in her book, at least by the person from whom the recipe was collected. Thus manuscript cookbooks contain concrete details that historical printed cookbooks generally lack: the precise motion of the hand in stirring; the most suitable cuts of meat; the time that a cooking process takes; the signs that something is going wrong; the size and number of molds needed for individual cakes; the clues that a dish is done; and so on. Manuscript recipes not only illuminate the making of specific dishes but also basic kitchen conditions and broad practices in historical cooking.

A special feature of manuscript cookbooks is that they reflect the tastes of individual households. Thus, while most printed cookbooks published between 1675 and 1800 outline the same three basic recipes for lemon cream, contemporaneous manuscript cookbooks present dozens of different recipes for this favorite dessert, some tart and others sweet, some rich and others lean, suiting the varied tastes of the epicures of centuries past.

Digitizing Our Manuscript Cookbooks

By Andrea Byrne, Digital Technical Specialist

In December 2020, we launched a new digital collection: Recipes and Remedies: Manuscript Cookbooks. This is how we did it.

Our new digital collection showcases 11 of the 40 manuscript cookbooks the Library holds. The digitization is based on our earlier work with these materials. In 2012, the Pine Tree Foundation provided funding for conservation and cataloging of 31 of these manuscripts. In 2019, the foundation awarded the Library funding to digitize a selection of the English-language manuscript cookbooks and make them available to the public through the Library’s Digital Collections & Exhibits website. The digitized manuscripts will also be linked through corresponding listings in the Manuscript Cookbook Survey, providing a full-text option for each of our manuscripts on the site.

Four of the 11 manuscripts were previously digitized as part of an Adam Matthew Digital project, Food and Drink in History. After the earlier conservation work, only a quick conservation review was required before we sent the rest of the manuscripts out for scanning. The 2012 funding had also provided us with robust catalog records, so the work of our current project focused on providing a digital experience that was as similar as possible to paging through these manuscripts in our reading room. This work started with creating high-quality digital scans to display each item as a book object.

The manuscripts are viewable through the Internet Archive Book Reader, which allows a reader to browse a digital book page by page. Additional photo editing work was required to ensure that each page aligned with the next. This digital collection contains 2,021 pages and additional eyes were needed to review each page of every manuscript, to check the alignment, the consistency of page sizes, and the integrity of the images. Quality control is integral and took place multiple times on this project: to confirm the images were scanned correctly, to verify the content on the site was correct, and to check the functionality of the site.

Example of noting blank pages, from Recipe book : manuscript, 1804.

A couple of challenges emerged when attempting to preserve the integrity of each manuscript as a digital object. One of the concerns was blank pages: a few of these manuscripts have many blank pages. In the physical manuscript, a reader can turn several blank pages at a time. In the digital display, a reader may have a frustrating experience clicking blank page after blank page. Our approach to this concern was to include a scan of the first blank page in a section of blank pages and to note that not all the blank pages were scanned.

Example of displaying the front of an insert, from A collection of choise receipts : manuscript, circa 1680–1700.
Example of displaying the back of an insert, from A collection of choise receipts : manuscript, circa 1680–1700.

Another challenge was the display of inserts. A couple of the books included plant clippings and flowers pressed between the pages. To emulate the experience of viewing the inserts in the physical manuscript, we opted to overlay the front of the insert on the recto, and then have the same pages repeated in the next view, but with the reverse of the insert overlaid on the verso.

Elizabeth Duncumb’s recipe for waffles, from Duncumb recipe book : autograph manuscript signed, 1791–1800s.

Of course, no interventions can exactly replicate the experience of viewing and handling a physical object in person. How can one duplicate the heft of taking the 500-page “A collection of choise receipts” out of its clamshell box, or handling the slender “Hoffman home remedies” volume? But one advantage these digital surrogates provide is being able to make waffles from a handwritten recipe from 1791 without splattering batter on a unique and priceless cookbook!

Recipes and Remedies: Manuscript Cookbooks

By the NYAM Library Team

A recipe in verse for “Mother Eve’s Pudding,” from “Recipe book : manuscript, 1700s.”

The NYAM Library is happy to announce the launch of “Recipes and Remedies: Manuscript Cookbooks” on our Digital Collections & Exhibits website. We’ve digitized 11 of our English-language manuscript cookbooks, offering a fascinating look at seventeenth- to nineteenth-century culinary (and non-culinary) history in England and America. The books include recipes for making a range of dishes such as roast turkey, lemon cream, and almond biscuits. Receipts (an older word for recipes) for non-food items are also found in these cookbooks: you can learn about remedies for coughs, bruises, and other ailments, or read about preparing cosmetics or perfumes at home. These manuscripts are part of a remarkable collection of food and drink materials that are a strength of the Library, starting with its ninth-century culinary manuscript, the Apicius.

We hope that you enjoy exploring these unique materials, finding recipes and making discoveries, and reading about their historical context in the accompanying essay written by culinary historian Stephen Schmidt.

Index “C” to “A collection of choise receipts.

The digitization of these manuscript cookbooks was accomplished with a grant from the Pine Tree Foundation. We are grateful for the foundation’s continued support in helping us to provide access to our rich collections.

A drink for the holiday, adapted by Pietro Collina and Matt Jozwiak from “A collection of choise receipts.”

In the past, we’ve highlighted recipes from these cookbooks in blog posts. We invite you to read these earlier posts, even as you delve deeper into the digitized Manuscript Cookbooks Collection.

Enjoy!

Digitization Pilot: The Robert Matz Hospital Postcard Collection 

By Robin Naughton, Senior Digital Program Manager

The front of a postcard of Roosevelt Hospital.

The front of a postcard of Roosevelt Hospital. NYAM Collection.

matz_nycm_395v_watermark

The back of the postcard, with a message from a patient of the hospital. NYAM Collection.

We are excited to launch a new digital collection, The Robert Matz Hospital Postcard Collection.

Dr. Robert Matz donated about 2,000 hospital postcards to The New York Academy of Medicine Library in several installments between 2015 and 2019. Dating from the late 19th century to the mid-20th century, the postcards were organized into three sub-collections: New York City (NYC), New York State (sans NYC), and United States (sans New York).  To create metadata for the postcards, the Library started a project where volunteers researched and captured data about each postcard. New York City was the first sub-collection completed by the volunteers. It was the perfect sub-collection to use for an internal digitization pilot project.

A digitization pilot project is a great opportunity to showcase part of a much larger collection and to test innovative ideas.  For the pilot, 118 postcards were selected from the NYC sub-collection of 962 hospital postcards. Hospital postcards were selected representing all five boroughs (BronxBrooklynManhattanQueens, and Staten Island) to highlight the variety of hospitals, building architecture, and cultural value of the postcards.  The number of postcards selected for each borough is approximately 10 to 12 percent of the total number of postcards for that borough.  For example, Manhattan has the largest number of postcards of the five boroughs and the largest number of postcards in the pilot. The pilot offers an opportunity for users, researchers, potential funders, and the public to explore what has already been digitized, and to learn more about the collection.

Borough # of Postcards in Pilot
Bronx 15
Brooklyn 26
Manhattan 55
Queens 10
Staten Island 12
Total 118

The process of digitizing the postcards provides an opportunity to test new and innovative ways of imaging the collection. For this collection, the opportunity to capture four postcards at once was an innovative approach to digitizing the collection.

The postcard setup in the digitization lab.

The postcard setup in the digitization lab.

The software used for internal digitization was Capture One, which offered many opportunities to enhance the imaging workflow. One such opportunity was to divide the capture area into quadrants so that one shot could capture four objects and ultimately create four images. Rather than taking eight shots for four postcards (front & back), the process reduced the work to only two shots for all four postcards. To do this, variants (duplicates of the raw images) were created in Capture One and the settings applied to each shot.  This method improved the efficiency of digitizing the Matz postcards and provided a significant enhancement to the Digital Lab’s workflow for small, flat objects.

Image capture of four objects (front).

Image capture of four objects (front).

matz_nycbk__023_025_028_30v_watermark

Image capture of four objects (back).

The Robert Matz Hospital Postcards Collection pilot project provides a glimpse into what is possible and available if the entire collection were digitized. Digitizing 2,000 postcards and creating metadata so that users can explore the collection in multiple ways will take time and resources, but the Library is excited about the opportunity.

Take some time to explore the collection and learn more about each of the hospitals represented in the pilot.  If you’d like to explore additional postcards, reach out to the Library.

Explore the Matz Collection here.

The Michael M. Davis Papers and Economics in Medicine

By Carrie Levinson, Reference Services & Outreach Librarian

Recently, the Academy hosted a talk between Paul Krugman and Tsung-Mei Cheng, entitled “Priced Out: The Economic and Ethical Costs of American Health Care.” This event focused on Uwe E. Reinhardt’s latest book, which discusses today’s U.S. healthcare system. Krugman and Cheng delivered lively and nuanced explanations of why our system is so expensive, especially compared with other similar countries, the morality involved in having costs so high, and some potential solutions.

Michael_Davis_watermark

A photograph of Michael M. Davis from Michael M. Davis: A tribute, by Alice Taylor Davis and Gertrude Auerbach (1972?). NYAM Collection.

The debate about healthcare in the United States is not a new one, however. One notable medical economist whose collection is one of the most interesting in the Academy’s library, Michael Marks Davis, advocated for comprehensive medical care and national health insurance, and worked in many prominent organizations and committees throughout his career, including the Rockefeller Foundation, the Julius Rosenwald Fund, the Committee for Research in Medical Economics, and the Committee for the Nation’s Health (New York Academy of Medicine, n.d.).

Davis donated his collection of papers and reports in 1962. This collection is important because, among other things, it provides source material for studying some of the most significant historical legislative advances in the United States, as well as social trends of the 1920s through the 1960s, aspects of medicine and health in other countries, and confidential and other unpublished reports that likely are not duplicated elsewhere. Below is a short description of the kinds of material that can be found within these papers, originally compiled by Lee Ash (1967).

Series 1: Medical Economics and Medical Sociology

  • Material on medical care costs and studies by, for, and about the Committee on the Costs of Medical Care, including confidential reports; also material on state, industrial and cooperative medical plans, comprehensive group medical plans, and union health programs.

Series 2: Medical Care in the United States

  • Materials including confidential reports made for foundations in the United States; material on rural economic conditions from the 1930’s through the 1950s, and on rural health problems and programs, material on medical education, hospitals, and medical personnel.

Series 3: Legislation and Legal Aspects

  • Materials on legislation since 1950, and publications, reports, correspondence, and ephemera relevant to legislation prior to 1950, public assistance and child welfare, mental health, and state legislation, including sickness and disability insurance programs to be paid for by the state, and original texts of bills.

Series 4: Organizations

  • Samples of special reports, annual reports, and letters to and from Dr. Davis concerning the work of various organizations, grouped into the following sections: Professional Organizations, General Organizations, International Organizations, and Political Organizations.

Series 5: Medical Care in Foreign Countries

  • Public documentation and correspondence with leaders and private physicians concerned with social medicine and public health abroad; a good deal of material focusing on the National Health Service Act; published and unpublished reports from many other countries.

Series 6: Personalities

  • Correspondence, notes, comments, clippings, personality evaluations, and memorabilia to, from, and about all of the leaders Dr. Davis associated with in his work.

Article with graphs looking at illness and income

Article with graphs looking at illness and income in Volume 21 of the Michael M. Davis papers. NYAM Collection in Public Health in Modern America, 1890-1970 .

These short descriptions don’t even begin to cover the richness of the Davis collection. With over 400,000 pieces (Ash, 1967), it might seem insurmountable to researchers, but that’s not the case. We have an excellent finding aid that goes into more detail about the materials and how to find them, as well as giving detailed biographical information on Dr. Davis. Not enough for you? You may recall our blog post about our partnership with Gale to digitize material related to public health in America. Well, this entire collection can be found in Gale’s new database Public Health in Modern America, 1890-1970! If your institution doesn’t subscribe to it, you can make an appointment to view it at our library.

Conversation and arguments about healthcare costs and structure are unlikely to stop anytime soon, but with collections such as Davis’s available to those who are interested, we can understand the history of such discussions in going forward.

References

Ash, L. (1967). The Michael M. Davis Collection of Social and Economic Aspects of Medicine. Bulletin of the New York Academy of Medicine, 43(7), 598–608. Retrieved from https://www.ncbi.nlm.nih.gov/pmc/articles/PMC1806900/

New York Academy of Medicine (n. d.). Library of social and economic aspects of medicine of Michael M. Davis [Finding aid]. New York, NY: Author. Retrieved from https://www.nyam.org/library/collections-and-resources/archives/finding-aids/ARM-0003.html/

Get Your Primary Sources! Public Health in Modern America & Archives of Sexuality & Gender, Part III

By Robin Naughton, PhD

The New York Academy of Medicine Library has closed stacks, and as such, the serendipitous nature of browsing the shelves and discovering a gem stuck between two unlikely neighbors is limited to the librarians working in the Library. Thus, it is important that we provide patrons with access to the material in ways that they too can explore. This is a major goal of the Digital team, and it is made possible through a variety of digitization projects. Most recently, the Library partnered with Gale, a Cengage company, to digitize materials for two mass digitization projects: Public Health in Modern America, 1890-1970 launched in June 2019 and Archives of Sexuality & Gender, Part III: Sex and Sexuality, Sixteenth to Twentieth Centuries launched in February 2019.  Within the past year, the collaboration with Gale has helped the Library to digitize over 6,600 items, which represents almost a million images created.

Contributions

The Library contributed archival collections, and rare and historical materials for each project, providing users with access to major primary sources.

PHIAF0004-C00000-B0209700-00020

Bouton, S. M. (n. d.). Old Doc Politics is back again. New York: Public Relations Bureau Medical Society of the State of New York. Pamphlet in New York Academy of Medicine Library collection; digitized for Public Health in Modern America database.

Public Health in Modern America includes:

  • The Committee on Public Health of the New York Academy of Medicine – a collection of correspondence, reports, minutes, and documents on the significant work of the committee with New York’s health department and leading figures in public health. It is a collection about the New York Academy’s contribution and role in public health at the time.
  • Library of Social and Economic Aspects of Medicine of Michael M. Davis – a collection of the work of Dr. Davis in the early twentieth century, covering topics such as healthcare, medical economics, social security, legislation, and more.
  • Selected Public Health Pamphlets – over 2,200 pamphlets on various aspects of public health from the late nineteenth century to the mid-twentieth century.

Sanger_cover_cropped

Sanger, M. (1913?). What every girl should know. Reading, PA: Sentinel Printing Co. Book in New York Academy of Medicine Library collection; digitized for Archives of Sexuality & Gender database.

Archives of Sexuality & Gender includes:

  • Monographs – over 1,500 monographs on a variety of topics dealing with sex, sexuality, and gender.
  • Mary Ware Dennett Case Collection – an archival collection of the court case against Dennett for writing “The Sex Side of Life,” a pamphlet about sex for young people.
  • Correspondence between Eugen Steinach and Harry Benjamin – a collection of over forty years of correspondence about rejuvenation, including letters, postcards, diagrams, and photographs.

Together, these two products represent significant digitization making rare and unique materials available. Researchers can now go deep in ways not possible prior to digitization. For example, the material has optical character recognition (OCR), which means that researchers can search for a term and discover all the places where that term exists within a text, across the collection, or across the product, which includes collections from other collaborators. In addition, the products offer options to jump to diagrams, photographs, and other material types within a given item.  Thus, researchers now have direct access to substantial databases of primary source materials that they can analyze in novel ways.

External Digitization Process

Creating these products took tremendous amount of collaboration among multiple organizations and people.  For the Library, these products required the external digitization process, which was one process out of many that made it possible to seamlessly digitize this material. The external digitization process included an intricate tracking of each item digitized from the moment it was identified and taken off the shelf to moment it was returned to its place on the shelf.

The external digitization process workflow describes the steps involved.

Gale Production Process

External digitization process flowchart, created by the author.

Green indicates start and end.  White indicates steps in the process.   Yellow indicates that there are additional processes involved with their own workflows. Red indicates that there is an issue that needs to be resolved.

External digitization projects make it possible for the Library to digitize materials on a large scale and make the content available to universities and research institutions from Gale. It also makes the products created available to patrons in the Library. Thus, patrons visiting the Library can have access to these databases while in the Library.

Interested in using these databases in the Library? Click here to find out how to make an appointment to visit.

“Alas, Poor Daft Jamie’s Pickled!”: Poetry Concerning the Resurrectionists

By Carrie Levinson, Reference Services and Outreach Librarian

You may have heard about “Resurrection Men” – people who robbed graves and even killed people to fill the unprecedented demand for cadavers in medical schools in the nineteenth century. You may have even heard the names William Burke and William Hare: two of the most notorious body-snatchers and murderers who ever lived. But did you know that there is poetry about these bizarre and tragic events?

 The New York Academy of Medicine Library has a digital collection, The Resurrectionists, which contains broadsides, ballads, pamphlets, poetry, and other literature concerning Burke and Hare, their accomplices, and their victims. Since it is National Poetry Month, we’ve decided to feature some of the poetry contained in this collection.

First, however, a little bit of background. William Burke and William Hare were two ne’er-do-wells in 1820s Scotland who enjoyed drinking and working as little as possible (Barzun, 1974). When another occupant in their lodging house passed away from natural causes, they sold the body. Soon they found that bodies for the medical schools (particularly, the anatomy and physiology class in Edinburgh taught by Dr. Robert Knox) were in high demand, but not in ready supply. To capitalize on this newly-discovered stream of funds, the group quickly turned to murder. Their first victim was likely a miller by the name of Joe, and more followed (Barzun, 1974).

Unfortunately for them, Burke, Hare, and their accomplices made a number of mistakes resulting in their capture: they murdered a prostitute by the name of Mary Paterson, who was a client of one of the doctors and whom he recognized (though he kept quiet at the time); they also killed a well-known and -liked young man known in town as Daft Jamie, whose disappearance was immediately noted and speculated upon (bringing suspicion upon Dr. Knox as well); and they also began to quarrel amongst themselves. Their arrest came after a couple who knew their last victim, Mrs. Docherty, went to the police (Barzun, 1974).

 

 

 

Hare was offered immunity to testify against Burke and Helen MacDougal, Burke’s mistress. After the trial, deliberations took less than an hour: Burke was declared guilty, while MacDougal went free. Burke’s punishment: he was to be publicly hanged, his skin to be tanned and sold in strips, and his body to be dissected and then lectured upon, much like the bodies he had murdered for profit (Barzun, 1974). Burke was hanged on January 28, 1829, and his skeleton is still on view in the Anatomical Museum of the Edinburgh Medical School. Hare left Edinburgh in disguise and soon disappeared. One enduring legacy was a new verb, to burke, originally meaning to kill by smothering (in order to leave a good body to dissect!), and now broadened to mean to suppress.

 

A huge amount of literature was generated from these morbid events, including, arguably, the genre of crime fiction (Barzun, 1974). Here are a few examples of the poetry: one, an elegy for William Burke, and two poems lamenting the death of Daft Jamie (Jamie Wilson).

Elegy__page_2

We hope you will peruse this collection and marvel at the many effects Burke and Hare’s dastardly deeds had on the law, medicine, and literature. Perhaps you’ll be inspired to write a poem of your own!

  References

Barzun, J. (1974). Murder for profit and for science. In J. Barzun (Ed.), Burke and Hare: Resurrection men: A collection of contemporary documents including broadsides, occasional verses, illustrations, polemics, and a complete transcript of the testimony at the trial (pp. v-xii). Metuchen, NJ: Scarecrow Press.

Facendo Il Libro: The Making of the Book (and a digital collection and exhibit)

By Anne Garner, Curator, Rare Books and Manuscripts, and Robin Naughton, Head of Digital

The Academy Library is thrilled to announce “Facendo Il Libro: The Making of Fasciculus Medicinae, an Early Printed Anatomy.”  This online exhibit, focused on an astonishing and influential medical book first published in Italy in 1491, was made possible through the generous support of the Gladys Krieble Delmas Foundation.

Originally collected in manuscript form, the Fasciculus Medicinae (the “little bundle of medicine”) is a richly illustrated collection of medical treatises on uroscopy, phlebotomy, anatomy, surgery, and gynecology.  The Fasciculus Medicinae was first published in 1491, but demand for it made it a favorite text for printers. By 1522, it had been issued more than twenty times.  Variations in the text and the illustrations through time show the early modern tension between medieval medical ideas and advances in medical understanding forged at the beginning of the 16th century.  The exhibit allows visitors to browse full-text scans of all five editions (1495–1522) in The New York Academy of Medicine’s collections; to investigate each edition’s exquisitely illustrated woodcuts and to explore their cultural and medical meanings; and to compare the books’ illustrations in different editions over time.  The site includes contributed essays from Dr. Taylor McCall, art historian of material culture and medieval medicine at the Walters Art Gallery, Baltimore, and from Dr. Natalie Lussey Seale of the University of Edinburgh, whose work focuses on early modern Venetian print culture.  Dr. McCall’s essay looks at the creation of the text and its accompanying illustrations, while Dr. Seale’s essay offers a window into Venetian printing processes in the 16th century and describes the making of a book in early modern Italy.

frontispiece_1495_watermarked

Frontispiece, 1495.

The illustrations of the Fasciculus Medicinae offer an intriguing glimpse of medical practice in the 16th century.  The book’s woodcuts include narrative scenes depicting the earliest Western depiction of dissection in print, an early illustration of a diagnostic consultation showing a professor analyzing a urine flask, and a physician, holding an aromatic sponge to his nose to avoid infection, attending a sick plague patient confined to his bed.  Other woodcuts help us to understand early modern conceptions of health and illness.  The Fasciculus Medicinae’s female anatomical figure captures late medieval ideas about women’s bodies, reproduction, and pregnancy.  A “Wound Figure” graphically depicts the various threats to the body, from blows to the head down to the prick of a thorn on the feet.  Perhaps most surprising of all, the Fasciculus Medicinae’s “Zodiac Figure,” who balances all twelve zodiac signs on his body, conveys the powerful role the stars and planets played in health in the medieval imagination.  This figure, who dates to earlier manuscripts from the medieval period, survives well into the twentieth century, appearing alongside horoscopes in a modified form in print in American almanacs produced by pharmaceutical companies.

This slideshow requires JavaScript.

Delmas Homepage imageThe Facendo Il Libro website has a simple design, but a complex structure.  It is both a standalone digital collection and an online exhibit built using Islandora, an open-source digital repository framework.  Representing the first full-text internal digitization project for the Academy Library, the five editions of the Fasciculus Medicinae were digitized in the Library’s Digital Lab. The online exhibit was built using an Islandora multi-site to leverage the digital collection repository (Fedora), Drupal Book module, and the current Library branding theme.

The ability to draw from the common repository made it possible to store content once and use it in multiple ways.  Thus, the five digitized editions are available in two different places using a single source.  The built-in navigational structure for the exhibit makes it easy for users to explore the collection in a linear fashion or by sections.

First images of the 1500 edition

Replicating the physical experience of touching the text is still a challenge for digital projects.  Thus, it was important to create a digital experience that provides the user with some sense of the materiality of the object. For example, the 1500 edition was bound with another text (Savonarola’s Practica medicinae), which is evident from the first digital image of the book. The image shows the thickness of the text and the fact that the 1500 edition begins in middle of the physical object. It shows the user exactly what will be encountered when using the physical item.  It also highlights a significant piece of information that could have been lost due to cropping.

Another important aspect of the online exhibit is the illustrations page, where users can see all the illustrations from all editions in one place.  When a user clicks on an illustration, the user is immediately taken to a page with descriptions of each illustration as it appears in each edition.  To explore the images, users can click on an image and zoom in to see the intricate details.

Facendo Il Libro: The Making of Fasciculus Medicinae, an Early Printed Anatomy” offers a great opportunity for users to learn and explore the Library’s five editions of Fasciculus Medicinae in context.

Explore Facendo Il Libro Online Exhibit.

Delmas Post Shop Ad

Intern in our Digital Lab this Summer

The New York Academy of Medicine’s Library is looking for a digital intern to work in the Library’s digital program.  The internship will provide hands-on experience with creating and building digital collections, editing metadata for digitization projects, and conducting quality control of scanned images. The Intern will have an opportunity to learn about the digitization process and how to build digital collections.

We are looking for an intern who is imaginative and interested in learning more about developing digital collections and how metadata is used to enhance collections.

The internship is paid or may be taken for course credit.

Duties and Responsibilities

  • Create digital collections on Islandora website
  • Collect, edit, create and organize metadata according to standards
  • Conduct quality control on scanned images and digital collections

Qualifications and Experience

  • Familiarity with technology, digital collections, and/or digital humanities projects
  • Experience with metadata schemas (e.g. MODS, Dublin Core, MARC, IPTC etc.)
  • Knowledge of XML, XSLT, and OCLC
  • Coursework in Library and Information Science

Start Date: June 2018.

Hours: Approximately 10 hours a week for 12 weeks.  Intern must be available 2 days per week between the hours of 10:00am-5:00pm, Monday through Thursday.

To Apply

Please forward cover letter and resume with “Digital Intern” in the subject line to library@nyam.org.  Please also outline your academic needs for obtaining course credit, if applicable.  Deadline: May 18, 2018.